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Explore the EOS 5D Mark IV video functions

Explore the EOS 5D Mark IV video functions

If you’re a photographer interested in the video functions the EOS 5D Mark IV offers, take 15 minutes of your time to watch the video Canon prepared about the…

28 Days of Cinematography Insights Redux – Day 29 – Manually white balancing a camera to a light source

28 Days of Cinematography Insights Redux – Day 29 – Manually white balancing a camera to a light source

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

Kodak’s Shoot Film Workshop

Kodak’s Shoot Film Workshop

In a dark abandoned home, the late afternoon sunlight broke up the darkness inside and lit up the copious amounts of dust and haze accumulated from years of disuse. Suddenly…

EditFest 2016: Inside the Cutting Room with Michael Tronick and the American Cinema Editors

EditFest 2016: Inside the Cutting Room with Michael Tronick and the American Cinema Editors

Michael Tronick, ACE, is a motion picture editor in every sense, but his experience as a music editor has influenced his career in ways that even he is surprised to…

28 Days of Cinematography Insights Redux – Day 28 – Breaking into and making a living in the industry

28 Days of Cinematography Insights Redux – Day 28 – Breaking into and making a living in the industry

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 27 – Buying your own camera

28 Days of Cinematography Insights Redux – Day 27 – Buying your own camera

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 26 – How do you draw the line between being stylized and overdoing it?

28 Days of Cinematography Insights Redux – Day 26 – How do you draw the line between being stylized and overdoing it?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

How I interviewed presidential candidate Gary Johnson with a digital mic from Italy

How I interviewed presidential candidate Gary Johnson with a digital mic from Italy

Last week, I had the pleasure and honor of conducting a brief, in-field interview with US presidential candidate Gary Johnson for my CapicúaFM show after his press conference…

Creating alternate edits with roles in Final Cut Pro X

Creating alternate edits with roles in Final Cut Pro X

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to use roles in Final Cut Pro X to create alternate edit scenarios. Steve starts with a…

28 Days of Cinematography Insights Redux – Day 25 – Traveling with gear

28 Days of Cinematography Insights Redux – Day 25 – Traveling with gear

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 24 – Do you ever miss the look you were able to achieve with film?

28 Days of Cinematography Insights Redux – Day 24 – Do you ever miss the look you were able to achieve with film?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

Essential Tools for Lighting by Barry Andersson – 9/20/16

Essential Tools for Lighting by Barry Andersson – 9/20/16

Everyone knows that lighting is critical to creating great-looking video. What you may not know is some of the essential tools aren’t the actual lights. This webinar will…

Editfest 2016: Cutting it in Hollywood with the American Cinema Editors

Editfest 2016: Cutting it in Hollywood with the American Cinema Editors

American Cinema Editors (ACE) is an honorary society founded in 1950 by editors who wanted to create a forum to honor their profession, and EditFest is the ultimate place to…

The Video Editing Go-Bag

The Video Editing Go-Bag

Over the last few months I’ve had a couple of situations pop up where I’ve needed to do some serious editing on the go. I’m not talking…

28 Days of Cinematography Insights Redux – Day 23 – Are there any general “lighting rules” that you have or follow?

28 Days of Cinematography Insights Redux – Day 23 – Are there any general “lighting rules” that you have or follow?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 22 – Is soft light more pliable than hard light?

28 Days of Cinematography Insights Redux – Day 22 – Is soft light more pliable than hard light?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 21 – Experimenting with soft and harsh pools of light

28 Days of Cinematography Insights Redux – Day 21 – Experimenting with soft and harsh pools of light

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

ART OF THE CUT with Paula Heredia

ART OF THE CUT with Paula Heredia

I first met Paula Heredia when she was the featured speaker on documentary film editing at a Master Editor’s Retreat in 1996. Even then her resume was impressive…

Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1

Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1

In this lesson, Kevin P McAuliffe starts the first of a multi-part lesson on creating Motion Effects inside of Media Composer, and starts out by creating them the easiest…

Rageboard – The big, impressive looking color grading panel for your Tangent Elements

Rageboard – The big, impressive looking color grading panel for your Tangent Elements

Are you a colorist who wants to have an impressive looking color grading panel but you can’t afford the cost of a full $30,000 Davinci Resolve Advanced…

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