Getting Started with HitFilm Pro – Lesson 3 – Editing Basics and Setting your Options

Getting Started with HitFilm Pro – Lesson 3 – Editing Basics and Setting your Options

In our last lesson, in our look at learning HitFilm Pro, we talked about setting up our projects, and we had discussed that you can both edit and do compositing…

Videoguys Action-Packed Live Webinar on NewTek TriCaster Mini Advanced and more

Videoguys Action-Packed Live Webinar on NewTek TriCaster Mini Advanced and more

This Videoguys NewsDay 2sDay live webinar is action-packed with news about NewTek’s latest and greatest in broadcasting gear and NDI technology. You’ll find out about…

Filmmaker Friday Featuring Bryant Lambert

Filmmaker Friday Featuring Bryant Lambert

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing…

Underwater Panasonic Lumix TS7 4K action camera vs  FT7

Underwater Panasonic Lumix TS7 4K action camera vs FT7

Thanks to José Antunes (who also writes for ProVideo Coalition magazine), I became aware of this new pair of underwater 4K UHD cameras which cost ±US$450 and both have…

Flexible Workflows in Adobe Premiere Pro CC

Flexible Workflows in Adobe Premiere Pro CC

Valentina Vee & Premiere Pro CC Valentina Vee is a creative content director. She lives in Los Angeles, but works all across the world. Valentina directs, shoots, and edits higher…

ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”

ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”

In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch, A Girl Walks Home Alone at Night…

Watch Videoguys’ Webinar on G-Tech’s New SSD Storage

Watch Videoguys’ Webinar on G-Tech’s New SSD Storage

Don’t miss Videoguys’ live webinar is on the new G-Technology SSD Solutions, featuring mobile, desktop, and ruggedized RAID storage. You’ll hear about the G…

The 2018 guide to underwater cameras for video

The 2018 guide to underwater cameras for video

Olympus, Panasonic, Nikon or Fujifilm are some of the companies offering compact cameras able to withstand the most punishing environments, so you can take your video and photography passion everywhere…

Nashville Filmmakers Guild Post-Production Workshop June 2

Nashville Filmmakers Guild Post-Production Workshop June 2

The Nashville Filmmakers Guild is more than just a Facebook group. It’s an active organization in and around Nashville , Tennessee that has spent the last several years doing…

Media Archiving Tips from Hollywood

Media Archiving Tips from Hollywood

The Importance of Media Archiving Media archiving and backup are vital. I was mid-way through a school project. I’d spent hours tweaking and finessing. My media was…

Filmmaker Friday featuring the production house Reelbros

Filmmaker Friday featuring the production house Reelbros

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided to take a deeper look into the world of a filmmaker…

Top 5 New Features in Adobe Premiere Pro CC

Top 5 New Features in Adobe Premiere Pro CC

New Features in Adobe Premiere Pro CC Adobe Premiere Pro CC had a decent update at NAB 2018. Like everyone else, Jeff Greenberg immediately wanted to know what the new…

ART OF THE CUT with Oscar-winning editor, Richard Chew, ACE

ART OF THE CUT with Oscar-winning editor, Richard Chew, ACE

Oscar-winning editor, Richard Chew, ACE, has cut so many iconic films that I’ve been “hunting” him for a while, trying to get an interview. Having…

Forensic audio: Jason Levine of Adobe demonstrates with Audition

Forensic audio: Jason Levine of Adobe demonstrates with Audition

Yesterday, Jason Levine used Adobe Audition to perform a forensic audio demonstration/study during his live Internet broadcast. Even though I have no idea who Laurel or Yanny are, I…

Alan Bell’s Open Letter to the NLE makers

Alan Bell’s Open Letter to the NLE makers

I rarely ever make a blog post these days about someone’s Vimeo or YouTube video but scrolling around Twitter today this video from feature film editor Alan E…

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