Workflow – 28 Weeks of Post Audio Redux

Workflow – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

Thunderbolt3 Driving the Varicam Forward

Thunderbolt3 Driving the Varicam Forward

For a recent test project, I was offered a chance to use one of Panasonic’s Varicam LT’s to shoot with, so as an old Panasonic guy, I leaped…

La La Land – 28 Weeks of Post Audio Redux

La La Land – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

AE Project Diary: 6) Xian part 2: With Video!

AE Project Diary: 6) Xian part 2: With Video!

As part of the After Effects Project Diary series, my last article looked at colour grading on the Xian project.  However at over 5,000 words it’s a…

After Effects News 2018 July.e1

After Effects News 2018 July.e1

Perhaps the biggest feature to hit After Effects in last 10 years or so is scripting (Adobe Help), seen especially in the growth and influence of AEscripts.com. Scripts extend…

Reverb – 28 Weeks of Post Audio Redux

Reverb – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

<em>BeyondPodcasting 4</em>: Adobe Project Rush, LumaFusion & more with Cielo de la Paz

BeyondPodcasting 4: Adobe Project Rush, LumaFusion & more with Cielo de la Paz

On BeyondPodcasting episode 4, Allan Tépper converses with Cielo de la Paz (in English) about Adobe’s new Project Rush cross-platform app, how it compares with LumaFusion and…

Blackmagic’s New eGPU Is A Hurdle Leaped For Creatives (commentary)

Blackmagic’s New eGPU Is A Hurdle Leaped For Creatives (commentary)

Yes, the news about Blackmagic Design’s new eGPU, a high-performance graphics processor, has already been posted on PVC by Jose Antunes. I want to talk about how…

Room Acoustics – 28 Weeks of Post Audio Redux

Room Acoustics – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

5 minutes with Avid Media Composer 2018.7 and the new LIVE TIMELINE

5 minutes with Avid Media Composer 2018.7 and the new LIVE TIMELINE

5 minutes wasn’t nearly enough time to truly test out LIVE TIMELINE in the new Avid Media Composer 2018.7 updated but I couldn’t let this…

Filmtools Filmmaker Friday featuring Filmmaker  Evan Gering

Filmtools Filmmaker Friday featuring Filmmaker Evan Gering

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided to take a deeper look into the world of a Filmmaker…

Let’s Edit with Media Composer – What’s New in 2018.7

Let’s Edit with Media Composer – What’s New in 2018.7

In this lesson, Kevin P McAuliffe discusses the newest release of Media Composer, 2018.7, and with it comes one of the first big promised features of Media Composer, and…

Quality Control – 28 Weeks of Post Audio Redux

Quality Control – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

Creating a Dark and Stormy Night in Final Cut Pro X

Creating a Dark and Stormy Night in Final Cut Pro X

This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create an animated outdoor scene using only a photo and a few effects built in Final…

Backup & Recovery: free tools from Paragon and AOMEI

Backup & Recovery: free tools from Paragon and AOMEI

The release of a new version of Paragon Backup & Recovery Free is a good excuse to present readers this new software, and some other solutions designed to protect data…

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