Media Archiving Tips from Hollywood
Keenan J. Mock at the Faster, Together Stage
Fujifilm X-T100: 4K at 15fps is for whom?
May 24, 2018
LumaFusion elevates standard for mobile editing
May 16, 2018
Getting Started with HitFilm Pro – Lesson 3 – Editing Basics and Setting your Options
In our last lesson, in our look at learning HitFilm Pro, we talked about setting up our projects, and we had discussed that you can both edit and do compositing…
Videoguys Action-Packed Live Webinar on NewTek TriCaster Mini Advanced and more
This Videoguys NewsDay 2sDay live webinar is action-packed with news about NewTek’s latest and greatest in broadcasting gear and NDI technology. You’ll find out about…
Filmmaker Friday Featuring Bryant Lambert
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing…
Underwater Panasonic Lumix TS7 4K action camera vs FT7
Thanks to José Antunes (who also writes for ProVideo Coalition magazine), I became aware of this new pair of underwater 4K UHD cameras which cost ±US$450 and both have…
Flexible Workflows in Adobe Premiere Pro CC
Valentina Vee & Premiere Pro CC Valentina Vee is a creative content director. She lives in Los Angeles, but works all across the world. Valentina directs, shoots, and edits higher…
ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”
In 2014, Alex O’Flinn was awarded Sundance’s Sally Menke Memorial Film Editing Fellowship. He has edited The Bad Batch, A Girl Walks Home Alone at Night…
Watch Videoguys’ Webinar on G-Tech’s New SSD Storage
Don’t miss Videoguys’ live webinar is on the new G-Technology SSD Solutions, featuring mobile, desktop, and ruggedized RAID storage. You’ll hear about the G…
The 2018 guide to underwater cameras for video
Olympus, Panasonic, Nikon or Fujifilm are some of the companies offering compact cameras able to withstand the most punishing environments, so you can take your video and photography passion everywhere…
Nashville Filmmakers Guild Post-Production Workshop June 2
The Nashville Filmmakers Guild is more than just a Facebook group. It’s an active organization in and around Nashville , Tennessee that has spent the last several years doing…
Media Archiving Tips from Hollywood
The Importance of Media Archiving Media archiving and backup are vital. I was mid-way through a school project. I’d spent hours tweaking and finessing. My media was…
Filmmaker Friday featuring the production house Reelbros
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Filmtools decided to take a deeper look into the world of a filmmaker…
Top 5 New Features in Adobe Premiere Pro CC
New Features in Adobe Premiere Pro CC Adobe Premiere Pro CC had a decent update at NAB 2018. Like everyone else, Jeff Greenberg immediately wanted to know what the new…
ART OF THE CUT with Oscar-winning editor, Richard Chew, ACE
Oscar-winning editor, Richard Chew, ACE, has cut so many iconic films that I’ve been “hunting” him for a while, trying to get an interview. Having…
Forensic audio: Jason Levine of Adobe demonstrates with Audition
Yesterday, Jason Levine used Adobe Audition to perform a forensic audio demonstration/study during his live Internet broadcast. Even though I have no idea who Laurel or Yanny are, I…
Alan Bell’s Open Letter to the NLE makers
I rarely ever make a blog post these days about someone’s Vimeo or YouTube video but scrolling around Twitter today this video from feature film editor Alan E…
Learning
Widgets In Tabs
Articles
Getting Started with HitFilm Pro – Lesson 3 – Editing Basics and Setting your Options
Videoguys Action-Packed Live Webinar on NewTek TriCaster Mini Advanced and more
Underwater Panasonic Lumix TS7 4K action camera vs FT7
Flexible Workflows in Adobe Premiere Pro CC
ART OF THE CUT with Alex O’Flinn of indie sensation, “The Rider”
News
RED at Cine Gear Expo: new camera line-up and BTS with Christopher Probst
ZEISS Supreme Prime: 13 high-end cinema lenses at Cine Gear Expo
Fujifilm X-T100: 4K at 15fps is for whom?
One body, three sensors: RED’s new simplified system, and why it is cheaper
Dimenco demonstrates Simulated Reality solution in Los Angeles
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