Production
What is a “Cinema Camera”? A Canon C70 Review and Discussion
News
ZEISS Cinema Americas spotlights Film Festival Week
Sachtler expands its aktiv fluid head product range
NIKKOR Z 400mm f/2.8 TC VR S: a new prime for sports and wildlife
New Canon EOS C70 Firmware Update Includes RAW Recoding Capabilities
The New Canon EOS R5 C Announced With 8K/60P RAW Recording Capabilities
Red Notice: shot during the pandemic, graded in DaVinci Resolve
H&Y Filters has a new magnetic cap for its K-series filter system
NINJA V and NINJA V+ support both HDMI and SDI RAW recording from Sony’s FX6
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Post Production
How to answer when someone asks you to move a project from Avid to Premiere Pro (or vice versa)
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Editors on Editing w/ “The Power of the Dog” Editor Peter Sciberras
On todays episode of the Editors on Editing Podcast, Glenn talks with editor Peter Sciberras about the highly anticipated...
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Real Remote Editing with Jump Desktop
Covid-19 and the year 2020 have turned the professional production and post world on their heads. Among other things,...
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Tip: Stop Down to Erase Moiré
Shooting screens with digital cameras can lead to nasty pictures, as the interaction of screen pixels with sensor photosites...
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Production
What is a “Cinema Camera”? A Canon C70 Review and Discussion
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Tommy Jackson, Creator of “Last of Us: Ellie’s Revenge” // Frame & Reference
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Post Production
Faster Editing in Final Cut Pro with “Press & Hold”
Experienced editors know the value of minimizing clicking and keystrokes: they can edit faster and focus more on crafting...
Production
Hands On With The Canon EOS R5C, The Hybrid Cinema & Stills Camera Thats Ready For Anything
A week or so back we were lucky enough to spend the afternoon with the Canon EOS R5C, the...
Post Production
Post Production
Faster Editing in Final Cut Pro with “Press & Hold”
Post Production
Eternal Notre-Dame: visit the cathedral in VR
A devastating fire on 15 April 2019, destroyed Notre-Dame cathedral, which will open to the public, again, in April...
Post Production
Zeoshi – an AI upscaling company with a difference
The use of AI for upscaling is an emerging and competitive field and Kimball Thurston, Robin Melhuish and Patrick...
Post Production
Let’s Edit with Media Composer – Lesson 13 – Bin View Modes
Hey Everyone, Bins, as we know, are the centerpiece of your workflow(s). They are what will make for a...
Podcasts
Podcasts
Tommy Jackson, Creator of “Last of Us: Ellie’s Revenge” // Frame & Reference
Podcasts
Claudia Raschke, DP of “Julia” and “Fauci” // Frame & Reference
Frame & Reference is a conversation between Cinematographers hosted by DP and PVC Contributing writer Kenny McMillan. Each episode...
Podcasts
Boris Mojsovski, ASC CSC of “Titans” and “Lost Symbol” // Frame & Reference
Welcome to SEASON TWO of Frame & Reference! I’m very excited to be returning for another year of amazing...
Podcasts
Crossing the 180 with Director Jen McGowan
Jen McGowan has had the good fortune to be a director of both feature films and television. From breakout...
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Post Production
Faster Editing in Final Cut Pro with “Press & Hold”
