News
Viltrox Vintage Z1: retro aesthetics and adjustable power levels
It’s a manual flash, so you’ll have to know how to expose using it, but with seven adjustable power...
Post Production
The future of MAGIX: interview with Robert Rutkowski and Gary Rebholz
ProVideo Coalition interviewed the new MAGIX CEO, Robert Rutkowski, as well as Chief Product Officer Gary Rebholz, to know...
Post Production
RM Equity Partners acquires MAGIX Software
Robert Rutkowski, appointed by RM Equity Partners as the CEO of MAGIX, defines new opportunities for growth in the...
News
Sony FE 50-150MM F2 GM: comparable to multiple prime lenses
An exceptional combination of high resolution and stunning bokeh, the Sony FE 50-150MM F2 GM is comparable to multiple...
Pro Photo
Insta360 X5: larger sensors and a replaceable lens system
The Insta360 X5 sets a new benchmark for what 360° cameras can achieve, says the company, as it announces...
News
Marshall CV574 cameras: off-road high-definition streaming
The miniature 4K UHD camera from Marshall allows Bryan Moore, Director of Media and Aerial Production at Terrible Herbst...
News
Viltrox AF 35mm F1.2 LAB FE: faster autofocus than traditional STM motors
The patented Quad HyperVCM autofocus system, which accelerates focus speed by 150% compared to traditional STM motors, is at...
Post Production
V-Nova PresenZ: Hollywood production meets complete viewer freedom
What sets V-Nova PresenZ apart isn’t just technical innovation but seamless integration with existing production pipelines. Studios can now...
Pro Photo
Vivo X200 Ultra smartphone gets a Zeiss telephoto
The Vivo/Zeiss add-on lens for the Vivo X200 Ultra expands the camera’s focal length, now limited to an 85mm...
Production
ShiftCam: 10 scenarios where mobile filmmaking leads
The “World’s 1st Cinema-Grade Mobile Lens System” as ShiftCam says, is not here to replace cinema cameras, but to...