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Post Production

The Reality of Unscripted Television Editing

The Reality of Unscripted Television Editing

To watch the webinar that accompanies this article and talks through many of the topics laid out here in further detail, click here. For all the editors who just landed…

ART OF THE CUT with Melissa Kent of on editing “Traffik”

ART OF THE CUT with Melissa Kent of on editing “Traffik”

Melissa Kent is an Eddie nominated editor with more than two dozen feature films under her belt, including Age of Adaline, The Vow, Four Christmases, and co-editing Francis Ford…

NAB 2018: What Caught My Eye

NAB 2018: What Caught My Eye

NAB 2018 didn’t showcase any startling new tech — no new minivan-sized light-field camera; no “Billy Lynn’s Long Halftime Walk” — but it was…

My top 5 features in DaVinci Resolve 15 plus an interview with Blackmagic’s Director of Sales Operations

My top 5 features in DaVinci Resolve 15 plus an interview with Blackmagic’s Director of Sales Operations

DaVinci Resolve 15 was a big update at NAB 2018. It began with the buzz that Fusion was getting added into Resolve (like Fairlight the year before) since there was…

Samsung 360 Round ready for film and broadcast

Samsung 360 Round ready for film and broadcast

Samsung took an enhanced version of the Samsung 360 Round camera to NAB 2018, showing how the updated 360 Round’s bundled software offers better results for both livestreaming and…

ART OF THE CUT with “A Quiet Place” editor, Chris Tellefsen, ACE

ART OF THE CUT with “A Quiet Place” editor, Chris Tellefsen, ACE

Editor Christopher Tellefsen has a great body of work. Starting as an assistant editor on The Color of Money under Thelma Schoonmaker. His work as an editor started in 1980s…

NAB 2018: Codex ColorSynth for FCPX

NAB 2018: Codex ColorSynth for FCPX

Codex Digital has long been known for elegant and robust on-camera recorders, rack-mounted Vault recorders, and the Codex Production Suite for on-set digital dailies and archiving. Yet…

NAB 2018 – An Interview with the MINDHUNTER post-production team

NAB 2018 – An Interview with the MINDHUNTER post-production team

I don’t do a lot of interviews with editors, that’s the domain of Steve Hullfish and his legendary ART OF THE CUT series but when I saw that…

One Strange Rock shows first-ever 3D Virtual Reality filmed in space

One Strange Rock shows first-ever 3D Virtual Reality filmed in space

National Geographic extends the magic of the One Strange Rock series, offering the public the first-ever virtual reality 3D experience captured aboard the International Space Station. Try ISSVR now…

NAB 2018: CTpro for iPhone

NAB 2018: CTpro for iPhone

NAB’s first day saw the release of CTpro, an integrated iPhone News Gathering app from France. CTpro lets you shoot HD video using a full-featured camera app; cut…