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Post Production

Stop working for free!

Stop working for free!

It’s becoming more and more frustrating lately seeing all the people posting online looking for people to work for free.  With the price of editing systems (we’re going…

Scorpion VFX: a modern take on the VFX pipeline

Scorpion VFX: a modern take on the VFX pipeline

The team behind the primetime hit series Scorpion takes an unconventional approach to post-production to deliver a staggering number of VFX shots.  Working within a timeline and budget that…

Rigging Transitions in Motion

Rigging Transitions in Motion

This week on MacBreak Studio, I show Steve Martin from Ripple Training how to rig a transition in Motion so that you can choose from several options when using the…

Small Camera, Big Picture – Producing a Dream with the Sony a6300

Small Camera, Big Picture – Producing a Dream with the Sony a6300

Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with large kits and dread the idea of bringing my full package…

After Effects Bootcamp for Avid Editors – Part 2

After Effects Bootcamp for Avid Editors – Part 2

If you’re a Media Composer editor looking to add Adobe After Effects to your editing toolkit, part two of this two part webinar series is a must watch…

King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos

King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos

The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods with the occasional crane, to a cameraman with a “Steadicam…

ART OF THE CUT editing Best Picture nominee “LION”

ART OF THE CUT editing Best Picture nominee “LION”

Alexandre De Franceschi, ASE (Australian Screen Editors) has been an editor for more than 30 years, cutting over a dozen feature films in addition to a career as a sought…

La La Land-28 Weeks of Post Audio-Week 15

La La Land-28 Weeks of Post Audio-Week 15

La La Land, this year’s big Oscar nominee, is the first feature film to have a female sound editing team nominated. Millie Iatrou and Ai-Ling Lee, were co…

After Effects Bootcamp for Avid Editors – Part 1

After Effects Bootcamp for Avid Editors – Part 1

If you’re a Media Composer editor looking to add After Effects to your editing toolkit, this first of a two part webinar series is a no-brainer…

Get Started Fast with Media Composer for Adobe Editors — Part 5

Get Started Fast with Media Composer for Adobe Editors — Part 5

This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in Avid Media Composer, so they can get up to speed editing…