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Post Production

Publishing Music to Final Cut Pro X

Publishing Music to Final Cut Pro X

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how make your own music creations available for your projects in Final Cut Pro X. This episode is…

ART OF THE CUT with “Mr. Robot” editor, Philip Harrison

ART OF THE CUT with “Mr. Robot” editor, Philip Harrison

ART OF THE CUT talks to Philip Harrison about the distinctive cutting approach of the binge-worthy TV series Mr. Robot. Harrison’s work on the series was nominated…

Workflow-28 Weeks of Post Audio-Week 16

Workflow-28 Weeks of Post Audio-Week 16

There really is no “standard” workflow for anything in filmmaking. Every project, in every aspect, is a unique set of situations. This post will discuss the differences between movies and…

How to prepare for your next Motion Graphics project

How to prepare for your next Motion Graphics project

When it comes to motion graphics, a lot of people begin with the actual design process far too early. Nonetheless, it actually is crucial to have something you can always…

Review – Titler Pro 5 from NewBlueFX

Review – Titler Pro 5 from NewBlueFX

A few hiccups doesn’t stop this from being an awesome titling app…

Stop working for free!

Stop working for free!

It’s becoming more and more frustrating lately seeing all the people posting online looking for people to work for free.  With the price of editing systems (we’re going…

Scorpion VFX: a modern take on the VFX pipeline

Scorpion VFX: a modern take on the VFX pipeline

The team behind the primetime hit series Scorpion takes an unconventional approach to post-production to deliver a staggering number of VFX shots.  Working within a timeline and budget that…

Rigging Transitions in Motion

Rigging Transitions in Motion

This week on MacBreak Studio, I show Steve Martin from Ripple Training how to rig a transition in Motion so that you can choose from several options when using the…

Small Camera, Big Picture – Producing a Dream with the Sony a6300

Small Camera, Big Picture – Producing a Dream with the Sony a6300

Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with large kits and dread the idea of bringing my full package…

After Effects Bootcamp for Avid Editors – Part 2

After Effects Bootcamp for Avid Editors – Part 2

If you’re a Media Composer editor looking to add Adobe After Effects to your editing toolkit, part two of this two part webinar series is a must watch…