Creating a feature film is no small feat, especially on a shoestring budget. Amanda Lundquist’s debut feature, Pinsky, is...

Ever since I got into video and television production in the eighties, I have learned all about the term...

Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition. Every week, we will share a new...

Available in charcoal, white, blue, pink, and green and priced at $29 USD, the amaran Go can be slipped...

Restaurants are typically known for their food, service, and ambiance, but Le Petit Chef, the smallest chef, takes a...

I hear that the new Final Cut Pro 11 supports Spatial video editing! What’s that? Spatial video is stereoscopic...

Less than a month ago, I published my review of the US$149 Wireless Micro system, including a video with...

Matthews shows at LDI 2024 the smart alternative to jury-rigging that converts Mover Light mounts or brackets to a...

On this episode of Editors on Editing, Glenn Garland interviews editor Marco Costa, focusing on his work on the film...

Introduced as the world’s lightest 35mm F1.4 lens for full-frame Sony E-mount cameras, the new Samyang AF 35mm F1.4...

Transforming one of the most beloved and enduring stage musicals, Wicked, into a feature film is a monumental undertaking....

One of the many reasons why Fifty Frames is not afraid of a challenge is the regular use of...

Announced in September last year, Blackmagic Camera for iOS has now reached version 2.1.1, with improved colorspace tagging when...

Delivering professional performance on par with the CRANE 4, all while being lighter, the new CRANE 4E allows creators...