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Workflow-28 Weeks of Post Audio-Week 16

Workflow-28 Weeks of Post Audio-Week 16

There really is no “standard” workflow for anything in filmmaking. Every project, in every aspect, is a unique set of…

Flicker: Why On-Set Monitors Fail Us

Flicker: Why On-Set Monitors Fail Us

While working as a young second camera assistant on a film TV series in the 1990s, I noticed the DP…

How to prepare for your next Motion Graphics project

How to prepare for your next Motion Graphics project

When it comes to motion graphics, a lot of people begin with the actual design process far too early. Nonetheless…

Review – Titler Pro 5 from NewBlueFX

Review – Titler Pro 5 from NewBlueFX

A few hiccups doesn’t stop this from being an awesome titling app…

Vintage TV Studios in Modern Film and Television

Vintage TV Studios in Modern Film and Television

Have you ever watched a movie or a television program set in a time decades ago that had a scene…

Stop working for free!

Stop working for free!

It’s becoming more and more frustrating lately seeing all the people posting online looking for people to work for…

Scorpion VFX: a modern take on the VFX pipeline

Scorpion VFX: a modern take on the VFX pipeline

The team behind the primetime hit series Scorpion takes an unconventional approach to post-production to deliver a staggering number…

Rigging Transitions in Motion

Rigging Transitions in Motion

This week on MacBreak Studio, I show Steve Martin from Ripple Training how to rig a transition in Motion so…

Small Camera, Big Picture – Producing a Dream with the Sony a6300

Small Camera, Big Picture – Producing a Dream with the Sony a6300

Being a filmmaker who primarily produces international documentaries, both long and short, I know the pain of traveling with large…

Shooting With Fujinon’s New MK18-55mm Cinema Lens

Shooting With Fujinon’s New MK18-55mm Cinema Lens

Well well… it appears Fujinon is jumping onto the affordable cinema zoom bandwagon. Today the company announced two new…

After Effects Bootcamp for Avid Editors – Part 2

After Effects Bootcamp for Avid Editors – Part 2

If you’re a Media Composer editor looking to add Adobe After Effects to your editing toolkit, part two…

AN INSIDER’S PERSPECTIVE ON THE CREATIVE WORLD OF FILMMAKING

AN INSIDER’S PERSPECTIVE ON THE CREATIVE WORLD OF FILMMAKING

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching…

Videoguys FAQ:  Avid Media Composer Upgrade & Reinstatement Offer

Videoguys FAQ: Avid Media Composer Upgrade & Reinstatement Offer

Who qualifies for the limited time Avid Media Composer Upgrade and Reinstatement offer? Anyone who currently owns Avid Media Composer…

King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos

King Crimson’s Radical Action: A Fresh Approach to Live Concert Videos

The art of the live concert video has evolved over the years alongside technology, from film cameras on tripods with…

Spreaker platform for the new radio: compelling features + my suggestions

Spreaker platform for the new radio: compelling features + my suggestions

Misunderstandings abound regarding the meaning of a “media host” for online radio shows (podcasts and beyond) as opposed to a…

Review: Fujinon MK18-55mm T2.9 E-mount cine zoom

Review: Fujinon MK18-55mm T2.9 E-mount cine zoom

Fujinon has just announced two new lightweight cine zooms for E-mount cameras, the MK18-55mm T2.9 and the…

ART OF THE CUT editing Best Picture nominee “LION”

ART OF THE CUT editing Best Picture nominee “LION”

Alexandre De Franceschi, ASE (Australian Screen Editors) has been an editor for more than 30 years, cutting over a dozen…

La La Land-28 Weeks of Post Audio-Week 15

La La Land-28 Weeks of Post Audio-Week 15

La La Land, this year’s big Oscar nominee, is the first feature film to have a female sound editing…

Panasonic VariCam LT Review, Part 2

Panasonic VariCam LT Review, Part 2

[This is the continuation of my VariCam LT review. If you haven’t read Part 1 yet, here it…

Review: Panasonic VariCam LT 4K Super35mm Cine Camera

Review: Panasonic VariCam LT 4K Super35mm Cine Camera

The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35…