Shooting a dawn scene for 11 hours or moving the mountains behind the actors are some of the magic...

This is part 2 of a series on mobile filmmaking, in this case, specifically, mobile journalism (aka MoJo), which...

Today, our guest is Nels Bangerter, who was just nominated for an ACE Eddie for Best Edited Documentary for...

A clear invitation to go beyond the painting, Mona Lisa: Beyond the Glass is a Virtual Reality experience that...

Netflix’s Mank is leading the 2021 Oscar hunt with 10 nominations, including Best Picture and Best Director, so some...

Award-winning cinematographer Joshua Ausley looks back at a year where smaller, agile crews became the rule, and looks at...

Developed in partnership with Comprimato, the new BRIDGE LIVE update delivers new enhancements for AJA’s UltraHD/Multi-Channel HD contribution, streaming...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...

This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....

ARRI is courting broadcasters with the AMIRA Live, a new version of its AMIRA camera aimed at multicamera broadcast...

Frame.io, the world’s leading video review and approval platform, today released Frame.io Camera to Cloud (C2C), a secure cloud-based...

This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...

World Backup Day is on March 31st, but that’s the celebration day itself, because backup day should be a...

One thing the COVID-19 pandemic has done for everyone in media production is test their abilities to communicate, produce...