Netflix’s Mank is leading the 2021 Oscar hunt with 10 nominations, including Best Picture and Best Director, so some...

Award-winning cinematographer Joshua Ausley looks back at a year where smaller, agile crews became the rule, and looks at...

Developed in partnership with Comprimato, the new BRIDGE LIVE update delivers new enhancements for AJA’s UltraHD/Multi-Channel HD contribution, streaming...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...

This is my first-look preview article about Blackmagic’s new “Web Presenter HD”, more appropriately called a standalone web encoder....

ARRI is courting broadcasters with the AMIRA Live, a new version of its AMIRA camera aimed at multicamera broadcast...

Frame.io, the world’s leading video review and approval platform, today released Frame.io Camera to Cloud (C2C), a secure cloud-based...

This is my first-look article about the brand new RØDE Wireless Go II dual microphone/recorder system. I already received...

World Backup Day is on March 31st, but that’s the celebration day itself, because backup day should be a...

One thing the COVID-19 pandemic has done for everyone in media production is test their abilities to communicate, produce...

One very common question on the internet is: When will Final Cut Pro X support Blackmagic’s RAW camera format? ...

Captions make online content more accessible, but if you’re a Chrome user, the new Live Caption generates captions in...

Venus Optics has two new products that cinematographers will want to check: the 1.4x Full Frame Expander and 1.33x...

Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...