Post Production
Fire Alive horror film shot with Blackmagic Camera app
Shot in just five days on an iPhone using only the Blackmagic Camera and practical lighting, the film earned...
Pro Photo
Zhong Yi Optics announces Pittura 30mm f/2.4 lens for medium format
The Pittura 30mm f/2.4 is a compact, fast wide-angle prime combining an f/2.4 aperture, 0.2m close focusing, and portable...
News
Matthews announces new Monitor Stand III
Engineered to overcome the rigors of production to meet the evolving needs of camera techs, directors, and producers, the...
News
KRK: new V Series Five Studio Monitors offer wireless control
Building on more than four decades of innovation, the fifth-generation V Series combines KRK’s renowned accuracy and translation with...
News
Sony FE 100-400mm F5.6-8 OSS: a compact, affordable super-telephoto
Compact and lightweight, weighing just 654g, the FE 100-400mm F5.6-8 OSS is also an affordable lens, with a suggested...
Pro Photo
Laowa Aksen series: first ever commercial 5-10x macro
The Aksen series fills a long-standing gap in the 1–10x Ultra Macro category, offering a compelling option for serious...
Post Production
Brompton Technology powers VP workflow for ITV’s Believe Me
The ITV series Believe Me demonstrates the value of treating virtual production as a complete image pipeline rather than...
News
QuickLink to show AnywhereTally solution at IBC 2026
Purpose‑built for QuickLink StudioPro, AnywhereTally combines simple deployment, cloud control and professional‑grade wireless reliability. A leading provider of award-winning...
News
Blackmagic Design announces new UltraStudio Mini 12G
The new, extremely portable, UltraStudio Mini 12G family of Thunderbolt capture and playback models come with HDMI and dual...
News
Leitz HEKTOR lenses now compatible with ARRI cameras
HEKTOR lenses can now be used on ARRI cameras with the new Hexamo mount system from P+S Technik. This...
