Production
REVIEW: Zhiyun Molus X100 bi-color LED Fixture
Have you noticed that when you’re researching film lighting, common wisdom states you should get the biggest source possible?...
Production
How to get TRUE “Natural Light” from LEDs
Most filmmakers are missing the biggest utility afforded to us by LED lighting: true replication of natural sources. Prior...
Production
The “Large Format Look” is a Lie
Every conversation about camera formats eventually circles back to the same debate: Big sensor vs. little sensor. And while...
Production
Camera Sensors: Mediocre Mimicry to Silicon Supremacy
For a century, the photochemical process was the backbone of cinema: Light struck the emulsion on a strip of...
Production
Introducing The Fujifilm ETERNA 55
Today, Fujifilm has officially unveiled the FUJIFILM GFX ETERNA 55, the company’s first digital camera dedicated entirely to professional...
Post Production
REVIEW: Genesis Film Emulation Plugin
For over 100 years, the photochemical process was the backbone of moviemaking: Light struck emulsion on a strip of...
Pro Photo
EXCLUSIVE: Hands-On with the new Fujifilm X-Half
In the ever-evolving landscape of digital imaging, where technological advancements often lead to increasingly complex devices, Fujifilm has taken...
Experts
How to be an Expert Cinematographer
Five years ago I started the Frame & Reference Podcast in which I interview the best Cinematographers on the...
Featured
EXCLUSIVE: Canon R5 mark II & R1 Hands On
A few weeks ago I was invited to Arizona to test out the just-announced Canon R5 mark II, as...
Production
REVIEW: Colbor W100 LED Light
Recently a company reached out and asked if I would be willing to put together a fair review of...
