Exploring Ultrawide Workspaces – A Review of the Samsung CJ791
For editing, the size and layout of your workspace is nontrivial. Most would argue doing so on a 17” laptop is an enormous pain and having an external monitor is…
Zeiss opens a new space in Sherman Oaks
Like Sigma and Canon before them, Zeiss has opened up a showroom/workshop hybrid space, this one located in Sherman Oaks, chosen for its central location for the majority of…
Are Canon Cinema Cameras the Ultimate Documentary Solution?
This year all 5 documentaries nominated for an Oscar were shot on Canon cameras. To further discuss this accomplishment, Canon gave me the chance to interview Tim Smith, Canon’…
After Effects wins an Academy Sci-Tech Award
David Simons is a 28-year fellow at Adobe, if you count the first three years at CoSA where he created After Effects. His creation has dominated the post-production…
Out in the Field with the GoPro HERO7 Black
Recently, I was sent a GoPro HERO7 Black to take out with me on a two-week trip to Colorado where I was filming for a ski tour company called…
Review: BenQ PD2700U Monitor
I’ve been working on a lot of coloring projects recently, and at Adobe MAX the subject came up when I was talking to the people at BenQ. After some…
Hands-on with the Canon C200
I was sent the Canon C200 to review, and while there are a handful of pretty comprehensive reviews from a more clinical perspective, in an effort to shed light on…
Hands on with the 12” Q-LION LED Lamp from Quasar Science
The 12” Q-LION is a 95+ CRI, bi-color LED lamp from Quasar Science. I was given it, and the new mounting kit from Filmtools, to take on a…
Take Tour of Sigma Burbank
Newcomers to the film world are making their way to California, and Sigma is the most recent company to set up shop. After only two years in the Cinema space…
My First Time: Adobe MAX 2018
Over 14,000 people descended on the Los Angeles Convention Center for Adobe MAX, billed as “The Creativity Conference”. Every year, Adobe picks a city to host their massive get…
