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28 Days of Cinematography Insights Redux – Day 27 – Buying your own camera

28 Days of Cinematography Insights Redux – Day 27 – Buying your own camera

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 26 – How do you draw the line between being stylized and overdoing it?

28 Days of Cinematography Insights Redux – Day 26 – How do you draw the line between being stylized and overdoing it?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

How I interviewed presidential candidate Gary Johnson with a digital mic from Italy

How I interviewed presidential candidate Gary Johnson with a digital mic from Italy

Last week, I had the pleasure and honor of conducting a brief, in-field interview with US presidential candidate Gary Johnson for my CapicúaFM show after his press conference…

Creating alternate edits with roles in Final Cut Pro X

Creating alternate edits with roles in Final Cut Pro X

This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to use roles in Final Cut Pro X to create alternate edit scenarios. Steve starts with a…

28 Days of Cinematography Insights Redux – Day 25 – Traveling with gear

28 Days of Cinematography Insights Redux – Day 25 – Traveling with gear

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 24 – Do you ever miss the look you were able to achieve with film?

28 Days of Cinematography Insights Redux – Day 24 – Do you ever miss the look you were able to achieve with film?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

Essential Tools for Lighting by Barry Andersson – 9/20/16

Essential Tools for Lighting by Barry Andersson – 9/20/16

Everyone knows that lighting is critical to creating great-looking video. What you may not know is some of the essential tools aren’t the actual lights. This webinar will…

Editfest 2016: Cutting it in Hollywood with the American Cinema Editors

Editfest 2016: Cutting it in Hollywood with the American Cinema Editors

American Cinema Editors (ACE) is an honorary society founded in 1950 by editors who wanted to create a forum to honor their profession, and EditFest is the ultimate place to…

The Video Editing Go-Bag

The Video Editing Go-Bag

Over the last few months I’ve had a couple of situations pop up where I’ve needed to do some serious editing on the go. I’m not talking…

28 Days of Cinematography Insights Redux – Day 23 – Are there any general “lighting rules” that you have or follow?

28 Days of Cinematography Insights Redux – Day 23 – Are there any general “lighting rules” that you have or follow?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 22 – Is soft light more pliable than hard light?

28 Days of Cinematography Insights Redux – Day 22 – Is soft light more pliable than hard light?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 21 – Experimenting with soft and harsh pools of light

28 Days of Cinematography Insights Redux – Day 21 – Experimenting with soft and harsh pools of light

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

ART OF THE CUT with Paula Heredia

ART OF THE CUT with Paula Heredia

I first met Paula Heredia when she was the featured speaker on documentary film editing at a Master Editor’s Retreat in 1996. Even then her resume was impressive…

Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1

Let’s Edit with Media Composer – ADVANCED – Motion Effects Part 1

In this lesson, Kevin P McAuliffe starts the first of a multi-part lesson on creating Motion Effects inside of Media Composer, and starts out by creating them the easiest…

Rageboard – The big, impressive looking color grading panel for your Tangent Elements

Rageboard – The big, impressive looking color grading panel for your Tangent Elements

Are you a colorist who wants to have an impressive looking color grading panel but you can’t afford the cost of a full $30,000 Davinci Resolve Advanced…

Cut like an Oscar Winner

Cut like an Oscar Winner

I train professional editors all over the world and one of the fundamentals that I push is to do as much editing with the keyboard as possible. This helps with…

28 Days of Cinematography Insights Redux – Day 20 – Changes and alterations in post

28 Days of Cinematography Insights Redux – Day 20 – Changes and alterations in post

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

28 Days of Cinematography Insights Redux – Day 19 – Lighting techniques and color details

28 Days of Cinematography Insights Redux – Day 19 – Lighting techniques and color details

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

EditFest 2016: Cult Film Favorites with the American Cinema Editors

EditFest 2016: Cult Film Favorites with the American Cinema Editors

What does it mean to edit a cult classic? Does an editor go into a project thinking or knowing what they’re working on is going to be a cult…

28 Days of Cinematography Insights Redux – Day 18 – Is silhouetting more about a fit for the story or an opportunity presented by a set/location?

28 Days of Cinematography Insights Redux – Day 18 – Is silhouetting more about a fit for the story or an opportunity presented by a set/location?

In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC…

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