Years ago before the release of Final Cut Pro X but after the first announcement many editors, myself included, were excited about this new Auditions feature that FCPX was going to contain. It looked to be some new thinking on ways to look at … audition … different takes or different shots in an edit. In […]
At THU in Portugal, I got to interview a recruiter from ILION Animation Studios. Ahead I’ll share the interview done for CapicúaFM (in Castilian), and also provide links to my prior THU (Trojan was a Unicorn) article and interviews. Prior THU interviews in CapicúaFM Interview with Carla Ortiz, Puerto Rican artist: Interview with André Luis, […]
Read More… from Interview with ILION Animation Studios in Spain
My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before I start, if you haven’t read my previous article it might be worth taking a look as I’ll be expanding on those ideas, but not completely recapping them. CAMERA RGB: THE COLOR GAMUT WITH PERSONALITY There […]
Read More… from Your camera MAY have a color gamut: further musings on camera color pipelines
I wanted to be sure and have at least a couple of DaVinci Resolve tips in this year’s #28daysofQuickTips. I posted one on the black and white point pickers and you can get some great tips in yesterday’s #colorist tips post as well. This video comes to us from Jamie Dickinson and it takes you through […]
Read More… from Day 26 #28daysofQuickTips 2018 – Round-tripping just a few shots from Resolve
The Canon Speedlite 470EX-AI is a new category of strobe, and is the world’s first flash equipped with AI Bounce. A test flash is used to calculate the perfect angle for natural, flattering illumination. Is it some kind of magic? I must confess I am addicted to bounce flash. Whether I use it on camera […]
Read More… from Canon Speedlite 470EX-AI: no radio, but auto bounce
With 4K, 120fps HD, a better Dual Pixel AF, DIGIC 8, a new CR3 14-bit RAW file format, touchscreen and EVF in a body showing its DSLR heritage, the EOS M50 looks like Canon’s “test bed” of the 4K market. Long before the official announcement, the specifications – most of them – were already known, […]
Recent rumors suggested Samsung’s return to the camera market. It’s not true, but Samsung is back with what they say is the most advanced camera ever. Inside a smartphone, the Galaxy S9 and S9+ models. Samsung never made it as the company intended in the camera market, but they may be back with a vengeance. […]
Read More… from Samsung Galaxy S9: a smartphone or the camera reimagined?
The best QuickTips are ones that you learn something from. One of my favorites is the #Colorist Tip hashtag on Twitter. Usually these come to Twitter courtesy of Senior Colorist at Red Bull Media House Phil Strahl. His twitter feed is full of these things so give him a follow if you want to learn […]
Read More… from Day 25 #28daysofQuickTips 2018 – A Bunch of Colorist Tips
Avid Media Composer has a coupe of places there right+clicking on a object will provide the option to Reveal File. There’s a few places where this can be quite useful. Reveal File on a bin If you right+click on a bin in project window there is an option to Reveal File. This will pop open […]
Read More… from Day 24 #28daysofQuickTips 2018 – Reveal File in Avid Media Composer
The simplicity of the solution will appeal to different users, from photojournalists to wedding photographers: place the RX0 atop another Sony camera, and you get two perspectives simultaneously. The photograph used to illustrate this note explains it all: the small Sony RX0 camera is placed on the hotshoe of a Sony model compatible with the […]
Read More… from Sony introduces dual-camera shooting solution for RX0
