Reviewing the Sigma 28-45mm F1.8 DG DN | Art Lens
It wasn’t love at first sight, but love at first shot. There was no romantic comedy cute-meet in this...
Crafting the Look of a Lens, Part 2: Making a Modern Vintage Lens
In part one, we looked at how ARRI built a lens with a modern-yet-beautiful look for the future of...
A History to Blackmagic’s URSA Cine 17K 65 Camera
Back in 2012, Blackmagic had a chip on its shoulder. That year, they announced and shipped their first camera, the Blackmagic Cinema...
Reviewing The Big Differences between the Canon R5 C and R5
Imagine having the Canon R5 and R5 C at your fingertips. To test what are nearly the same but...
Twelve Stocking Stuffers under $100 for New Filmmakers
Christmas is approaching quickly. Finding that perfect gift for your budding filmmaker friend or family member can be nearly...
The educational video landscape
As video professionals, most of us engage with video-based educational content in one of two ways. We might learn...
Taking The New Sigma 65mm T1.5 FF High-Speed Cine Lens Out For A Review
Eleven lenses; that is the new number of FF High-Speed Cine Prime lenses from Sigma. These eleven prime lenses...
EditMentor and Editing Entrepreneurship
Editing Entrepreneurship may not be something we often think about but the launch of EditMentor got me thinking a...
NAB-AT-HOME: 2020 Audio Design Desk
Audio editing can sometimes feel like a forgotten aspect of filmmaking and production. Yet, as a twenty-year veteran camera...
NAB-AT-HOME 2020: Lensfinder.com Is Now Free
We all may have dived down the inter-web wormhole to find that elusive cinema lens—a time-consuming process. With Lensfinder.com,...
