Creating a Commercial Plugin for Final Cut Pro X with Motion
This week on MacBreak Studio, I follow up from last week’s episode, in which I demonstrated how to build an animated text bubble in...
Creating a Text Message Animation in Motion
I’ve often said that Motion is Final Cut Pro X’s secret weapon, and recently I’ve been on a bit of a mission to prove...
How to: Easy remote editing and collaboration with identical hard drives
There is, without a doubt, more interest and movement today about true remote editing than has ever happened before in the history of non-linear...
Loupedeck CT Review Part 3: Using the CT with Final Cut Pro X
This is part 3 of my Loupedeck CT review, and this entry will focus on using the Loupedeck CT with Final Cut Pro X. ...
Final Cut Pro X and 35mm Film Can be Friends
At the Motion Picture Editors Guild, The Banker editor and producer, Joel Viertel, attended a presentation by Kevin Bailey on Final Cut Pro X....
10 Tips for Multicam Editing in Final Cut Pro X
This year was the 30th anniversary of the Bioneers conference held annually at the Marin Civic Center in San Rafael, California, just a short...
Hedge launches Postlab with 3 flavors: Postlab, Postlab Pro and Postlab Server
Postlab now comes in three flavors: Postlab, Postlab Pro, and Postlab Server. Postlab allows you to work on and track up to 25 libraries...
Color Finale 2 for FCPX: it is time to forget external color grading tools
ColorTrix released Color Finale 2 and Color Finale 2 Pro for Final Cut Pro X, inviting users to experience grading in a whole new...
Premiere Pro and Final Cut Pro X support for Canon XF705 and EOS C500 Mark II
Canon announced that Premiere Pro and FCPX will now support H.265/XF-HEVC recording for the XF705 4K camcorder. Premiere is also compatible with the Canon...
Kyno 1.7 now supports Apple ProRes export on Windows
ProRes on Windows, metadata workflows galore, Final Cut legacy media filter, transcoding and playback improvements and more, are all present in Kyno 1.7, the...
