Tool Tip Tuesday for Adobe Premiere Pro: Intuitive Color – the Saturation X-Ray
Welcome to Tool Tip Tuesday for Adobe Premiere Pro on ProVideo Coalition I taught an Adobe MAX class at...
Color Grading in Final Cut Pro with the Monogram Creative Console
I’ve avoided control surfaces for years. I’m not sure why: part of it has to do with the fact...
Grading in Final Cut Pro
I see a lot of posts on social media asking about third-party grading tools for Final Cut Pro. And...
Nobe Color Remap for all your post-production tools. The original Color Warper
Every now and then you see a new tool in post-production and you say “wow that is unique.” For...
CineMatch from FilmConvert
One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to...
Editing iPhone 12 HDR Video in Final Cut Pro X
With Apple’s release of the new iPhone 12 and 12 Pro a few weeks ago, you can now shoot...
Is ACES right for you?
In the film days, a cinematographer had a good handle on what the final printed image would look like....
After Effects Classic Course: new & updated creative color correction effects in CS5
Plug-in effects are obviously a large part of Adobe After Effects, which most new releases introducing one or more...
After Effects Classic Course: Color Balance 1 – Corrective
The Color Balance effect provides an easy yet powerful way to color-correct an image without diving into a full-blown...
5 Color Illusions that Colorists & filmmakers should be familiar with
Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing...
