Post Production
Real Remote Editing with Jump Desktop
Covid-19 and the year 2020 have turned the professional production and post world on their heads. Among other things,...
Post Production
Understanding Premiere Pro’s Color Management
Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...
Distribution
Trusting Apple Displays?
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an...
Pro Photo
Is Apple Silicon Your Fork in the Road?
As if 2020 hasn’t been disruptive enough, Apple capped off the year with the launch of Big Sur (macOS...
Post Production
CineMatch from FilmConvert
One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to...
Post Production
Avid Media Composer 2020
Avid Media Composer has been at the forefront of nonlinear, digital video editing for three decades. While most editors...
Post Production
Review: iZotope RX 8
iZotope RX 8 Most digital audio and video editing applications come with a robust set of audio plug-ins, but...
Post Production
Is ACES right for you?
In the film days, a cinematographer had a good handle on what the final printed image would look like....
Post Production
Apple WWDC 2020 – The year everything changed… Again!
Apple kicked off its annual Worldwide Developers Conference today as a virtual, rather than live event. Absent was the...
Post Production
Review: VEGAS Pro 17
If you are focused on Media Composer, Premiere Pro, or Final Cut Pro X, then it’s easy to forget...
