Post Production
Review: A look at the Blackmagic Cloud Store Mini
Blackmagic Design is striving to democratize shared storage and edit collaboration with the introduction of the Blackmagic Cloud and...
Post Production
Frame.io Brings FiLMiC Pro to the Cloud – Testing the Workflow
It’s not news that Frame.io has been pioneering camera-to-cloud (C2C) workflows. However, one of the newsworthy integrations recently announced...
Post Production
Review: Audio Design Desk
The concept of the digital audio workstation stems from a near-century-old combination of a recording system and a mixing...
Post Production
Real Remote Editing with Jump Desktop
Covid-19 and the year 2020 have turned the professional production and post world on their heads. Among other things,...
Post Production
Understanding Premiere Pro’s Color Management
Read through any of the online forums and you’ll often see this common concern: “Why doesn’t my export look...
Post Production
Trusting Apple Displays?
In the “good old days” of post, directors, cinematographers, and clients would all judge final image quality in an...
Pro Photo
Is Apple Silicon Your Fork in the Road?
As if 2020 hasn’t been disruptive enough, Apple capped off the year with the launch of Big Sur (macOS...
Post Production
CineMatch from FilmConvert
One of the many color correction challenges is matching dissimilar cameras used within the same production. This tends to...
Post Production
Avid Media Composer 2020
Avid Media Composer has been at the forefront of nonlinear, digital video editing for three decades. While most editors...
Post Production
Review: iZotope RX 8
iZotope RX 8 Most digital audio and video editing applications come with a robust set of audio plug-ins, but...
PVC Favorites
Post Production
Review: Panasonic Lumix GH6
Post Production
My single most hated feature in Adobe Premiere Pro
Post Production
