DZOFILM expands Arles Cine lens system with two T2.6 zooms
With constant T2.6, parfocal operation and internal zooming, the two sub-1.8 kg bodies extend the Arles line, from DZOFILM,...
Fujifilm VF-GFXC2, a dedicated EVF for the GFX ETERNA 55
Purpose-built for the GFX ETERNA 55 digital filmmaking camera, the VF-GFXC2 EVF is expected to be released by the...
Fujifilm to show ETERNA ProRemote app for GFX ETERNA 55 at IBC2026
The ETERNA ProRemote app for iOS and iPadOS devices enables simple remote camera control and video monitoring of up...
Avid’s 20th Emmy and Adobe’s first (for Premiere): the 2026 Engineering Emmy Awards have some familiar faces
If you work in post-production, the 2026 Engineering, Science & Technology Emmy Award recipient list announced September 3 by...
Pyro 7 Ultra: a professional all-in-one 7-inch wireless monitor
The Pyro 7 Ultra from Hollyland features a bright QD-LCD display with broadcast-grade color, plus ultra-low latency wireless transmission...
Osmo 360 II announced
Following on from last year’s Osmo 360, the new Osmo 360 II promises several improvements. From the press release:...
FUJINON UA94x8.7BESM 4K broadcast zoom lens showcased at IBC2026
The FUJINON UA94x8.7BESM 4K is a a versatile box zoom lens for 2/3-inch sensor broadcast cameras designed for a...
Sigma expands Aizu Prime with three new lenses
Sigma introduced the Aizu Prime 21mm T1.3 LF, 100mm T1.3 LF, and 125mm T1.3 LF, three new lens additions...
Elevating Production Value with MuxLab Signal Solutions
In live production, broadcast setups, and commercial AV installations, the line between smooth, high-fidelity operations and technical failure often...
A Filmmaker’s Guide to On-Set Tapes & Expendables
I affectionately call PacRad the “filmmaker’s hardware store.” Browsing the website is very much like walking into a brick-and-mortar...
