color Archives - ProVideo Coalition

Polaroid RGB LED Camera/Camcorder Light

Jeff Foster March 25, 2019

While many pros may consider this more of a novelty than a serious tool, the Polaroid RGB LED Camera/Camcorder Light impresses people everywhere I go with it! Check out…

What You Might Have Missed in Media Composer 2018

moviola.com February 19, 2019

This webinar is designed to show you a lot of great feature updates you might has missed with the monthly Media Composer updates for 2018. Some are obvious, but there…

5 Color Illusions that Colorists & filmmakers should be familiar with

Hector Berrebi January 24, 2019

Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing enough to keep researchers busy in the foreseeable future. Their…

The film look: what is it, and why are there two of them?

Art Adams March 02, 2018

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite, techniques in vogue right now—and I think I’ve…

Your camera MAY have a color gamut: further musings on camera color pipelines

Art Adams February 26, 2018

My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before I start, if you haven’t read my…

Your camera does not have a color gamut

Art Adams February 21, 2018

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to lay it out for…

Reality: it’s completely overrated

Art Adams October 03, 2017

There’s no such thing as a reality show, only unreality shows. The more unreal, in some cases, the better. Back in the early 2000s all of my corporate…

ACES in Practice

moviola.com October 03, 2017

In this Webinar Dado Valentic will share some valuable tips and tricks for working with ACES, the Academy Color Encoding Standard. Learn the ins and outs of this exciting system…

A Crash Guide for Using RCM in Resolve for VFX

moviola.com June 20, 2017

Do turnovers to and from VFX need to be difficult? It can seem like it at times. Editors benefit from working in ProRes or DNxHD, while Nuke & Fusion Artists…

Watch “An Experiential Review of the Blackmagic Mini Control Panel” On-Demand at moviola.com

moviola.com May 23, 2017

This webinar explores the benefits and advantages of the new Mini Control Panel from Blackmagic Design, and how it allows filmmakers to enhance the quality of their work while mitigating…

An Experiential Review Of The BlackMagic Mini Control Panel

moviola.com May 23, 2017

This webinar explores the benefits and advantages of the new Mini Control Panel from Blackmagic Design, and how it allows filmmakers to enhance the quality of their work while mitigating…

Log Video Workflows on iOS with Filmic Pro

moviola.com March 23, 2017

The latest release of Filmic Pro will give users the ability to shoot high bit rate, high frame rate log video on iOS devices. In this webinar, Eric will share…

TLCI vs. CRI, CQS, etc.: How do they stack up?

Art Adams January 30, 2017

How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might be suspect, but I’ve never actually looked…

What is “Correct” Color?

Adam Wilt December 20, 2016

Sometimes you set out to answer an easy query and wind up questioning fundamental assumptions. Playing with test charts shouldn’t trigger an existential crisis, but you never know… Recently…

DaVinci Resolve on Intel Driven VAIO Z Flip

Brian Hallett November 15, 2016

Will I be able to run DaVinci Resolve on a tablet-like computer? Will I be able to color correct away from my office? Historically, I have run DaVinci Resolve…

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