Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...

Recently in the world of After Effects, there’s news on animated maps, travel video effects, multi-frame rendering, top tutorials,...

While many pros may consider this more of a novelty than a serious tool, the Polaroid RGB LED Camera/Camcorder...

Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing...

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...

My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...

There’s no such thing as a reality show, only unreality shows. The more unreal, in some cases, the better....

How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...

Sometimes you set out to answer an easy query and wind up questioning fundamental assumptions. Playing with test charts...