color grading
Cinema Grade – a new way to color grade footage inside of your NLE
Cinema Grade is a new color grading plug-in for Adobe Premiere Pro, Final Cut Pro X and DaVinci Resolve that utilizes a unique, direct on image, workflow to make…
AE Project Diary: 6) Xian part 2: With Video!
As part of the After Effects Project Diary series, my last article looked at colour grading on the Xian project. However at over 5,000 words it’s a…
AE Project Diary: 6) Xian part 2. Color Grading
This is part 2 of my After Effects diary on the Xian project, and in it I’ll be looking at colour grading. If you missed part 1, I mentioned…
Creating the Pleasantville Look in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how to create the “Pleasantville” or “Sin City” look using the new color…
Day 26 #28daysofQuickTips 2018 – Round-tripping just a few shots from Resolve
I wanted to be sure and have at least a couple of DaVinci Resolve tips in this year’s #28daysofQuickTips. I posted one on the black and white point…
Day 25 #28daysofQuickTips 2018 – A Bunch of Colorist Tips
The best QuickTips are ones that you learn something from. One of my favorites is the #Colorist Tip hashtag on Twitter. Usually these come to Twitter courtesy of Senior Colorist…
Creating Custom Black & White Effects in Final Cut Pro X
This week on MacBreak Studio, I show Ripple Training’s Steve Martin how you can use the new color tools in Final Cut Pro 10.4 to create custom…
Simple color grading for photographers
A simple tool used in a sophisticated way, that’s how Jim Welninski explains this color grading technique, which can be applied to different types of photos, for almost infinite…
Taking the Blackmagic Design DaVinci Resolve Micro Panel For A Spin
The Olympics motto is Citius, Atlius, Fortius, when translated from Latin the motto means Faster, Higher, Stronger. The motto does not imply the competition between athletes but the competition within…
5 Things: Post Myths
In the first episode of 2017, Michael debunks some popular post production myths and misconceptions. We’ll look at common color, codec, sound, and storage fallacies that keep popping…
