color grading

Setting the Mood with Adobe Hue CC: Jason Levine

Setting the Mood with Adobe Hue CC: Jason Levine

Color and light have a huge impact on the art of filmmaking. They set the mood and tone (no pun intended!) of a scene, and guide our experience of the…

Delivering an All-in-One Production/Post Solution to the Chinese Market and Beyond

Delivering an All-in-One Production/Post Solution to the Chinese Market and Beyond

  You don’t have to look too far to realize the power of the Chinese marketplace. Jurassic World just had one of the biggest openings ever, and a large…

Released Today: The 2015 Adobe Creative Cloud Video Applications

Released Today: The 2015 Adobe Creative Cloud Video Applications

The wait is over. The 2015 versions of the Creative Cloud video apps, previewed at NAB, are available today! Creative Cloud members, and trialists, can download the new versions through…

LUT Tricks for the Sony FS7/F5/F55

LUT Tricks for the Sony FS7/F5/F55

Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around its issues using two free software packages…

Secondary Color Correction Video Tutorial

Secondary Color Correction Video Tutorial

Secondary color correction is the process of color correcting a selected portion of a video image instead of color correcting the entire image. Often, at NAB or in software demos…

DaVinci Resolve Upgraded

DaVinci Resolve Upgraded

DaVinci Resolve is getting a major upgrade in July… the kind that includes 80 new features…

Chromatic aberration: creation and fixes with After Effects

Chromatic aberration: creation and fixes with After Effects

A few years ago there was a spate of interest in chromatic aberration — fixing footage containing the color fringing, but mostly creating it for motion graphics and…

Useful Tools for Editors – New Website Edition

Useful Tools for Editors – New Website Edition

Here we are with a brand new ProVideo Coalition website so it seems like the perfect time for a new edition of Useful Tools for Editors. This edition has…

After Effects and Alexa – The Expurgated Version

OK so you’ve got some Arri Alexa footage in Log C format, and it looks funny in After Effects.  You don’t have time to sit…

After Effects and Alexa – Part 2

The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called Log C.  While there are many ways of working with…

After Effects and Alexa – Part 1

The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called Log C.  While there are many ways of working with…