Freelancer Insights

AE Project Diary: 6) Xian part 1.  Compositing.

AE Project Diary: 6) Xian part 1. Compositing.

When I started on the Xian project in 2011, it was the largest and most complex compositing project I had worked on.  Even though about seven years have passed since…

Filmtools Filmmaker Friday featuring Filmmaker Marco Gutierrez

Filmtools Filmmaker Friday featuring Filmmaker Marco Gutierrez

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided to take a deeper look into the world of a Filmmaker…

Setting up your on-set monitor: what to look for, and what to avoid

Setting up your on-set monitor: what to look for, and what to avoid

A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of mentally averaging every monitor on the set. The on…

Filmtools Filmmaker Friday featuring Filmmaker Lewis Forfar

Filmtools Filmmaker Friday featuring Filmmaker Lewis Forfar

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing…

Filmtools Filmmaker Friday featuring Filmmaker EJ Horstman

Filmtools Filmmaker Friday featuring Filmmaker EJ Horstman

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing…

The film look: what is it, and why are there two of them?

The film look: what is it, and why are there two of them?

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite, techniques in vogue right now—and I think I’ve…

Alexa 65 shows that large format TV makes a difference in “Altered Carbon”

Alexa 65 shows that large format TV makes a difference in “Altered Carbon”

I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography. Here’s why. It…

Your camera MAY have a color gamut: further musings on camera color pipelines

Your camera MAY have a color gamut: further musings on camera color pipelines

My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before I start, if you haven’t read my…

Your camera does not have a color gamut

Your camera does not have a color gamut

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to lay it out for…

Split SDI ports, or: how to hack an Arri Mini

Split SDI ports, or: how to hack an Arri Mini

“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants a LogC output, but I need…