Freelancer Insights

The simplest interview setup ever: the modern update

The simplest interview setup ever: the modern update

Many years ago I wrote about the simplest interview lighting setup ever. Here’s my modern take on that same setup. The TL;DR version is: I still use…

Speed lighting: more lessons from the ARRI Academy

Speed lighting: more lessons from the ARRI Academy

The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never seen a class as motivated as the…

ARRI Signature Primes: the conscious design of softness

ARRI Signature Primes: the conscious design of softness

This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount that made them possible. For the last six months I&#8217…

Excellence – 28 Weeks of Post Audio Redux

Excellence – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

Working With Clients – 28 Weeks of Post Audio

Working With Clients – 28 Weeks of Post Audio

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

AE Project Diary: 6) Xian part 1.  Compositing.

AE Project Diary: 6) Xian part 1. Compositing.

When I started on the Xian project in 2011, it was the largest and most complex compositing project I had worked on.  Even though about seven years have passed since…

Filmtools Filmmaker Friday featuring Filmmaker Marco Gutierrez

Filmtools Filmmaker Friday featuring Filmmaker Marco Gutierrez

With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided to take a deeper look into the world of a Filmmaker…

Setting up your on-set monitor: what to look for, and what to avoid

Setting up your on-set monitor: what to look for, and what to avoid

A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of mentally averaging every monitor on the set. The on…

Filmtools Filmmaker Friday featuring Filmmaker Lewis Forfar

Filmtools Filmmaker Friday featuring Filmmaker Lewis Forfar

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing…

Filmtools Filmmaker Friday featuring Filmmaker EJ Horstman

Filmtools Filmmaker Friday featuring Filmmaker EJ Horstman

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing…

The film look: what is it, and why are there two of them?

The film look: what is it, and why are there two of them?

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite, techniques in vogue right now—and I think I’ve…

Alexa 65 shows that large format TV makes a difference in “Altered Carbon”

Alexa 65 shows that large format TV makes a difference in “Altered Carbon”

I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography. Here’s why. It…

Your camera MAY have a color gamut: further musings on camera color pipelines

Your camera MAY have a color gamut: further musings on camera color pipelines

My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before I start, if you haven’t read my…

Your camera does not have a color gamut

Your camera does not have a color gamut

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to lay it out for…

Split SDI ports, or: how to hack an Arri Mini

Split SDI ports, or: how to hack an Arri Mini

“My assistant says it’s impossible,” said the Steadicam operator over coffee at Arri headquarters in Burbank. “The DIT wants a LogC output, but I need…