Welcome to the first part of my new series on color management.  Although it’s exciting to launch a new...

On todays episode of Editors on Editing, Glenn talks with “Belfast” editor Úna Ní Dhonghaíle. You likely know Úna...

The new Samsung Galaxy S22 family includes the Galaxy S22 and S22+, but if you’re serious about photography and...

SIGMA Corporation of America announces the SIGMA 20mm F2 DG DN | Contemporary lens, part of SIGMA’s I series. This new lens...

What happens when you pair the Sony Venice camera and Zeiss Supreme Primes for a mostly low light film?...

Responsible for content security assessment for the film and television industry, MPA’s Trusted Partner Network announced that Teradek Core...

For years now I have professed my love for Kyno as an integral part of a post-production workflow. It...

Saying a smartphone can shoot 4K video at 30fps does not mean it can always shoot 4K at 30fps....

Being an optical designer has been a thankless task for the last few years. You get to spend half...

Scheduled to be held for four days from February 24th, the CP+2022 Pacifico Yokohama event is now going to...

Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...

A while back Blackmagic contacted me asking if I’d be interested in checking out the Pocket 6K Pro they...

Here is my promised review of the US$99 RØDE VideoMic Go II compact hybrid shotgun microphone, including my own...

Ready to break the rules of light? Samsung suggests its Samsung Galaxy S22 can turn low light moments into...