Whether it’s Quentin Tarantino shooting “Hateful Eight” in 65mm, the Panavision Millenium DXL, RED’s VV sensors, the Arri Alexa...

He has shot more than 200 films and is a frequent collaborator with Ken Burns. Buddy Squires, ASC is an...

Earlier this year I spent a month in and around Utah filming drone coverage on a show for Discovery....

I’ve been testing these small portable LED light panels from Polaroid throughout the year in various types of productions...

With 2018 at the door, some of us will start to imagine what our new computer will look like,...

It may seem like creating a 360° video is equivalent to shooting a traditional film, just with a special...

Two-time Oscar winner Neil Corbould got his first insight into the world of special effects after following his uncle...

Since the dawn of microphones, there have been two greatly different types of signals: balanced and unbalanced. Since the...

Color awareness is a learned skill. All you really need is a car. The human brain is a funny...

Some people call the Pyle PDMIC78 a knockoff of the Shure SM57. That description is true regarding the physical...

The concept is interesting: adapters that use magnetic strength to keep your filters in place. That’s what the Xume...

In this article, I’ll review the new <US$100 iRig Pre HD cross platform audio interface, with preamp and A-to-D...

The art of the opening title sequence is flourishing like never before. The best ones contain clues, “Easter eggs,”...

Last month at Sony Pictures Studios on Stage 23, I was given a few hours to play around with...