On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...

Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...

After bringing the Nik Collection back from the dead, in 2018, DxO now announces a major upgrade to the...

The RØDE Reporter app for iOS is the bridge from several RØDE hardware devices to an iOS or iPadOS...

Allegiance Studios is the only feature-level VFX house in the Okanagan Valley of Canada’s British Columbia. A full-service company,...

Profoto has a new flash out, the bigger brother of the successful B10. With the B10 Plus, photographers have...

RED DIGITAL CINEMA introduced a new DSMC2 GEMINI kit offering a comprehensive solution for cinematographers who shoot in a...

At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...

Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...

Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...

Transform the LUMIX S PRO 70-200mm F4 O.I.S. in a 400mm lens through the magic of the new DMW-STC14...

Apple is finally eliminating iTunes in the new upcoming macOS Catalina (although Apple may extend iTune’s life in Windows)....

With the new Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH., Panasonic confirms Micro Four Thirds continues to be cared...

The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...