Movie Edit Pro, Magix’s most successful video editing suite, has a brand new version available, with full 360° editing capabilities and automatic shot match, but also with high-quality video effects and plug-ins. Movie Edit Pro stands out from the crowd, says Magix, “with its combination of versatile functions and lots of elbow room to let […]
Month: August 2016
ColorFast 2 : color grading made simple
Recently released, NewBlue’s ColorFast 2 is an integrated plugin that streamlines both color correction and color grading in one simple workflow. With a variety of features geared for speed and efficiency, you can quickly fix exposure problems and create the look you want across your entire production. The search for a color correction and grading […]
Band Pro promises surprises at IBC 2016
New 4K demo footage shot exclusively with Raptor primes will be screened at the booth occupied by Band Pro Munich GMBH (German subsidiary of Band Pro Film & Digital, Inc.). to showcase the signature look and versatility of this macro-to-infinity lens series. IB/E Optics believes that the future is in large format sensors, of which […]
Explore the EOS 5D Mark IV video functions
If you’re a photographer interested in the video functions the EOS 5D Mark IV offers, take 15 minutes of your time to watch the video Canon prepared about the new camera. Take a few minutes more to read the extra information available. Then draw your conclusions. Let me state this again, using Canon’s own words. […]
SLR Magic Introduces Image Enhancer Pro Filter
SLR Magic introduces the Image Enhancer Pro (IE Pro). The filter is to help increase clarity of image and fix color shifting from light contamination beyond the visible spectrum. What makes the IE Pro different from other filters is the IE Pro optimizes the light spectrum from 200nm to 1,200nm to ensure the image captured […]
Read More… from SLR Magic Introduces Image Enhancer Pro Filter
28 Days of Cinematography Insights Redux – Day 29 – Manually white balancing a camera to a light source
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC team wanted to rerun this series for our readers, and we’re going past those 28 days with a few brand new entries. Use the hashtag […]
Kodak’s Shoot Film Workshop
In a dark abandoned home, the late afternoon sunlight broke up the darkness inside and lit up the copious amounts of dust and haze accumulated from years of disuse. Suddenly, the door burst open to a scared and panicked young farm girl. The fears found in her eyes could not be mistaken. She was running away […]
EditFest 2016: Inside the Cutting Room with Michael Tronick and the American Cinema Editors
Michael Tronick, ACE, is a motion picture editor in every sense, but his experience as a music editor has influenced his career in ways that even he is surprised to still see resonating. There are few editors inside or outside of Hollywood who have a better sense of how music can impact a story and […]
28 Days of Cinematography Insights Redux – Day 28 – Breaking into and making a living in the industry
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC team wanted to rerun this series for our readers along with some new questions and answers, so stay tuned for a few entries at the […]
28 Days of Cinematography Insights Redux – Day 27 – Buying your own camera
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the month of September last year on a daily basis. The PVC team wanted to rerun this series for our readers along with some new questions and answers, so stay tuned for a few entries at the […]
Read More… from 28 Days of Cinematography Insights Redux – Day 27 – Buying your own camera