Film

Review: iZotope Dialogue Match

Review: iZotope Dialogue Match

With Dialogue Match, iZotope has once again created go to technology for post audio professionals. Their RX line is now a very mature product with a dazzling array of audio…

The secret life of behind-the-lens nets

The secret life of behind-the-lens nets

“What’s with the pattern in the headlights?” I asked the first camera assistant, as I looked through “B” camera on a feature film set…

The Filmtools Podcast Eps. 5 with Cinematographer & VFX Artist Phil Holland

The Filmtools Podcast Eps. 5 with Cinematographer & VFX Artist Phil Holland

Each week The Filmtools Podcast talks with industry professionals in a candid conversation about their career, relevant news within the industry, and about the art and gear behind filmmaking. &nbsp…

Introducing The Filmtools Podcast

Introducing The Filmtools Podcast

Each week we will talk with industry professionals in a candid conversation about their career, relevant news within the industry and about the art and gear behind filmmaking.   We…

Quantifying the Large Format Look

Quantifying the Large Format Look

Large format is no longer out of reach of the average filmmaker, but the look is difficult to quantify. Naturally, that means I’ll give it a try. I…

Filmmaker Friday featuring James McKenzie

Filmmaker Friday featuring James McKenzie

With hundreds of jobs and opportunities, breaking into the entertainment industry can be a unique experience for anyone who decides to try to make a career as a filmmaker. From…

Building a Sustainable Filmmaking Career

Building a Sustainable Filmmaking Career

In this presentation, independent filmmaker Noam Kroll will outline his key principles for building and sustaining a career as a content creator today. Using real world examples from his narrative…

Behind-the-lens nets: a lost art makes a comeback

Behind-the-lens nets: a lost art makes a comeback

I’ve always been a little different. That’s the only explanation I have for cutting gels out of Rosco and Lee swatch books and putting them behind…

Film lens vs. digital lens: what are the differences?

Film lens vs. digital lens: what are the differences?

I’ve worked with a lot of cameras, and I’ve always come back to ARRI cameras whenever I’ve had the chance. It’s just…

Lens coverage, sensor size, and pushing the limits

Lens coverage, sensor size, and pushing the limits

Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test. Recently I shot a diffraction test meant…

Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide

Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide

For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa LF to the class, accompanied by a set of…

Casting the look of a camera into glass

Casting the look of a camera into glass

Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I like to ask all camera manufacturers: “Why?&#8221…

Speed lighting: more lessons from the ARRI Academy

Speed lighting: more lessons from the ARRI Academy

The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never seen a class as motivated as the…

ARRI Signature Primes: the conscious design of softness

ARRI Signature Primes: the conscious design of softness

This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount that made them possible. For the last six months I&#8217…

Excellence – 28 Weeks of Post Audio Redux

Excellence – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…