Film

Excellence – 28 Weeks of Post Audio Redux

Excellence – 28 Weeks of Post Audio Redux

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of 2016. Given the renewed focus on the…

NAB 2018: The Sony VENICE Full-Frame Camera

NAB 2018: The Sony VENICE Full-Frame Camera

At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I, like many NAB attendees took a deep look at the camera…

Filmmaker Friday featuring Filmmaker Orlando Briones

Filmmaker Friday featuring Filmmaker Orlando Briones

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing…

The film look: what is it, and why are there two of them?

The film look: what is it, and why are there two of them?

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite, techniques in vogue right now—and I think I’ve…

Your camera does not have a color gamut

Your camera does not have a color gamut

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to lay it out for…

The large format look, continued: shallow focus and stressing old lenses

The large format look, continued: shallow focus and stressing old lenses

I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San Francisco. Jim Rolin, one of Videofax’s owners and…

Some thoughts on color, brightness, and contrast

Some thoughts on color, brightness, and contrast

I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here are some thoughts. I’m a strict amateur…

Panavision revives VistaVision for a digital world: part 2

Panavision revives VistaVision for a digital world: part 2

Does large format really create a greater sense of depth and dimensionality in a flat image? Read on to find out… If you haven’t yet read part…

Creative Edit of a Film Scene

Creative Edit of a Film Scene

All too often we look at the nuts and bolts of how to use NLEs. In this webinar Barry will show you a rough edit of a scene that was…

Sony Unlocks Full-Frame Capture On The VENICE

Sony Unlocks Full-Frame Capture On The VENICE

After the initial announcement of Sony’s new cinema camera, the VENICE, cinematographers, and directors called for Sony to release the VENICE with its Full-Frame 24x36mm image capture…