Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...

The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never...

This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount...

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...

At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...

With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...

I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...

I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here...