Sony launches “Camera Verify”, for news organizations
As AI-generated and manipulated content becomes increasingly sophisticated, the need for trusted, verifiable imagery has never been greater. Meet...
Sony shows immersive display technologies at AWE 2025
AT AWE 2025, Sony will show its solutions and unveil new enhancements to its suite of integrated solutions under...
Sony announces the FX2, a Full-frame Cinema Camera with the perks (and limitations) of the a7 IV sensor
Sony has announced its newest camera offering in the cinema line: the FX2. As the nomenclature dictates, the FX2...
IP Architecture For Live Production, a free whitepaper from Nevion
A must-read for anyone considering a move to IP in their facilities or in outside broadcast trucks, the whitepaper...
Sony FE 50-150MM F2 GM: comparable to multiple prime lenses
An exceptional combination of high resolution and stunning bokeh, the Sony FE 50-150MM F2 GM is comparable to multiple...
Sony at NAB 2025: everything from live production to Virtual Production
A Super35mm camera system with Variable Neutral Density (VND) is one of the highlights at Sony’s booth during NAB...
Sony reveals VENICE Extension System Mini
Designed to deliver the next generation of visual content, in a super-compact form, the VENICE Extension System Mini preserves...
New Sony 16mm F1.8 G lens: optimized for stable video
Designed with videographers in mind, the new Sony 16mm F1.8 G minimizes focus breathing, features a standard 67mm front...
Sony’s furthest reaching lens for E-mount: 400-800mm F6.3-8 G OSS
Designed for birding, wildlife, and sports professionals, the new 400-800mm F6.3-8 G OSS super telephoto zoom is Sony’s furthest...
RED’s Adoption of the Nikon Z Mount Is a Smart, Forward-Thinking Move
RED Digital Cinema’s latest move to adopt the Nikon Z Mount has sparked heated debates online. Some say it’s...
