Visit VENICE… in San Francisco!
The Digital Cinema Society is coming to San Francisco on May 23rd to showcase Sony’s latest digital cinema camera, the...
New Sony SL-E SSD for professionals on the move
Featuring a compact and reversible USB Type-C port for connection, the new Sony SL-E SSD drives can be used ...
Jeff Foster’s NAB Show 2018 Wrap-Up
This year I went to the NAB Show in Las Vegas with two things: (1) A knee injury, thus...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
NAB: Quick notes from Sony
Sony’s Sunday press conference covered quite a few things. I’ll focus on just a few. New Cameras Sony’s Peter...
NAB panel: The Future of HDR in Cinema
Saturday saw a panel session on “The Future in High Dynamic Range – Are You Ready?” as part of...
ProRes RAW, FCPX, and Atomos recorders
As Scott Simmons mentions in Apple prepares a new Final Cut Pro X update for NAB 2018, Apple has developed...
Setting up your on-set monitor: what to look for, and what to avoid
A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...
THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW
My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...
McQuaidFrame: a crop guide for vertical video
With vertical video continuing to be favored in social media, solutions like the McQuaidFrame aim to make life easier...