Reviewing the New Vazen 85mm T2.8 1.8x Full-Frame Anamorphic Lens
Who doesn’t love the look of an anamorphic lens? Anamorphic lenses offer interesting image characteristics and, traditionally, can be...
Is The Sony Alpha 1 “The One” Hybrid Good At Both Stills and Video?
We all want “The One” camera. The one with excellent AF. The one with 15+ stops of dynamic range....
Sony Intros 2 New “Crystal LED” Modular Direct View Displays
Sony Electronics unveiled the latest innovation in premium direct view LED – the modular Crystal LED C-series (ZRD-C12A/C15A) with high contrast...
Sony releases new camera-automation software
Sony has launched a new automation software development kit (SDK), application library and support solution that is completely free...
Sony FE C 16-35mm T3.1 G Lens Available for Preorders
The Sony FE C 16-35mm T3.1 G lens, announced at IBC 2019, will be available in December 2020 to...
Reviewing The New Sony FX6
On October 23rd, I stood on one of three triple-tier media risers on Belmont University and outside the last...
Sony Spatial Reality Display: 3D without glasses for creatives
Sony announced the Spatial Reality Display (SR Display), said to offer designers and creators in film the means to...
Xperia 5 II offers 4K HDR 120fps slow-motion movie recording
Storytelling with dramatic slow-motion cinematography creation is a promise of the new Sony Xperia 5 II with its Cinematography...
Sony Teases The Development Of The FX6
VENICE, FX9, and now Sony teases the FX6. The tease and a photo are about all we know about...
Sony introduces the new Cinema Line and shows FX6
The new Cinema Line from Sony starts with three cameras, VENICE, FX9 and the upcoming FX6, to deliver the...
