A Guide to Shooting HDR TV: Day 4, “Artistic Considerations”
This is the fourth installment of six-part HDR “survival guide.” Over the course of this series, I hope to...
A Guide to Shooting HDR TV, Day 3: “Monitor Considerations”
This is the third installment of a six-part HDR “survival guide.” Over the course of this five-part series, I...
Canon’s new 70-200mm for Cinema
The new CN-E 70-200mm T4.4 L IS KAS S is a compact and lightweight 4K lens for ENG, documentary...
A Guide to Shooting HDR TV: Day 2, “On Set with HDR”
This is the second installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
Canon kits for the total solar eclipse
The blog ”A Total Guide to Totality” aims to be a resource for all photographers interested in documenting the...
A Guide to Shooting HDR TV: Day 1, “What is HDR TV?”
This is the first installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
New Libec ZC-LP and ZFC-L remote controls
Presented as Libec’s most innovative remote controls yet, the ZFC-L and ZC-LP feature new solutions in terms of control,...
Canon EF-S 35mm F/2.8 MACRO IS STM, a macro with lights
Compact, lightweight and with built-in LED lights, the new EF-S 35mm F/2.8 MACRO IS STM, is a good choice...
Atomos “upgrades” Canon DSLRs to HDR
The newly developed C-Log Picture Profiles for Canon DSLR’s gives users an expanded dynamic range at an affordable price,...
DSLRs are still alive, DSLTs may be dead
Introduced in 2006 to solve a problem DSLRs had at the time, the Single-Lens Translucent family of cameras, from...