On day 2 of Cine Gear Zero Optik showed off a new lens at their booth. It was not...

Drawing on over 80-years of Angenieux cinematic excellence the Optimo Primes are a very much long-awaited step forward in...

The RØDE Reporter app for iOS is the bridge from several RØDE hardware devices to an iOS or iPadOS...

At Cine Gear 2019 we had the opportunity to meet the 100 Mega Pixel Fujifilm GFX100. This is not...

Smaller. Lighter. The Panavision DXL-M is designed to work with RED DSMC2 cameras. The DXL-M combines the quality and...

Gearless? Smooth housing? LCD screen? You’d think these lenses were meant for flight. At Cine Gear 2019, we learned...

With the new Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH., Panasonic confirms Micro Four Thirds continues to be cared...

The Arri booth seemed to always be full during Cine Gear 2019. Could it have been because many wanted...

At Cine Gear 2019 PVC not only got to see the Fujinon Premista 28-100mm Large Format Cinema Zoom in...

During Cine Gear 2019 PVC took the time to visit with Panavision to learn more about their new LCND...

The use of Artificial Intelligence (AI) for broadcasting applications has moved past in-lab research demonstrations and theoretical constructs, and...

I have covered the intriguing RØDE SC6-L audio interface in prior articles. The SC6-L is unique since it’s so...

Come see me on June 6th at Sim Video in Vancouver, B.C., where I’ll co-present a session on ARRI...

​I have been able to shoot with an incredibly wide range of cameras and optics during my career, but...