If you need to fly anytime, anywhere and for as long as you want and still comply with FAA rules, a balloon may be your best choice. It’s a persistent platform which is considered safe to fly on public places and over people. Drones are excellent tools for capturing images – either stills or video […]
Read More… from Have you thought about using a balloon for video and photography?
As a freelance producer I’m often put in a place where I am giving notes to any number of departments on a documentary or narrative production. I’m not alone in this. A big part of the entertainment machine is the giving and receiving of notes. In fact, nearly every industry depends on different departments being […]
Media Composer editors and their workstations have always been an island in the world of post production. Say what you will, but there’s a reason that many post houses that work on broadcast television and feature films use Avid Media Composer as their NLE of choice. With that being said, there are companies out there, […]
Read More… from MOVIOLA FREE WEBINAR – MOCHA FOR MEDIA COMPOSER EDITORS – MARCH 21, 2017
O.J.: Made in America was shot primarily with the Canon EOS C300 Digital Cinema Camera, as Nick Higgins needed a small form factor for the movie. With a “small kit” based essentially around one lens, the film keeps winning awards. Although there were doubts if the Academy would look at O.J.: Made in America as […]
Read More… from O.J.: Made in America continues to win awards
Pete Beaudreau has been editing features since 2001. He’s best known for the films Beasts of No Nation, The Gambler, All is Lost, My Week with Marilyn and Margin Call. His latest film is Gore Verbinski’s A Cure for Wellness, co-edited with Lance Pereira. HULLFISH: This was a scary psychological thriller. BEAUDREAU: It’s an unusual […]
Read More… from ART OF THE CUT with “Cure For Wellness” editor
https://www.youtube.com/watch?v=eLPCtHQH3nk This week on MacBreak Studio, I show Steve Martin from Ripple Training how I used Motion to create a Pac-Man type animation. For this year’s holiday video for the Delfina Restaurant Group, we decided on a more whimsical approach (you can see the completed video here). Their marketing director asked me to make a […]
Requested by the multiple users, the profile for the VariCam LT extends the options available to filmmakers when it comes to explore the color of the small cinema camera from Panasonic. Being HDR-Ready, with 14+ stops of dynamic range in V-Log, plus the renowned VariCam image quality and color science, the camera uses the same […]
Mark Schwartzbard is a fan of Panasonic cameras and for Master of None and Love the DP used Panasonic VariCam 35 cinema cameras, adapted for the different styles needed by each production. The two comedy series share the same distributor, Netflix, but they also share the same cinematographer – Mark Schwartzbard (Max, Dean). It is […]
Read More… from Master of None and Love: shooting with the VariCam 35
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include pitching an idea, or a commission through screenwriting, casting, shooting, editing, and screening your project. Filmtools decided to take a deeper look into the world of a Filmmaker. This week, we had the opportunity to speak […]
The newly developed C-Log Picture Profiles for Canon DSLR’s gives users an expanded dynamic range at an affordable price, revealing a power “hidden” inside many cameras, even models launched before 2016. Users of Canon’s EOS 5D Mark III, EOS 1D C, EOS 7D Mark II, EOS 1DX Mark II or EOS 5D Mark IV are […]
