Designed, according to Canon, to be the camera that so many cinematographers having been asking for from Canon, the EOS C700 GS PL Cinema is scheduled to enter the market this July, with a price of $38,000. Announced September 2016 as a “next generation” model, the EOS C700 Digital Cinema Camera is ideal for cinematographers […]
Different categories of video and advertising have embraced the vertical format since 2013. If you can adapt to work with the format, vertical video may be a way to expand your activity as filmmaker in new directions. In 2012 social media was making fun of those shooting films in the vertical format, but that same […]
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In this lesson, Kevin P McAuliffe talks about one of his favorite effects to work with in Avid Media Composer, and that is GenArts S_Effect, and more specifically, how to integrate Mocha Pro’s masking features directly into the Builder tool, so you have more control over your compositing, than you ever did before! […]
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The new studio and field production camera from Hitachi, Z-HD5500 HDTV, featuring the latest advances in CMOS imaging technology, will be showcased at the upcoming 2017 NAB Show, in Las Vegas. The new model continues the tradition of Hitachi of providing the ability for video acquisition across a diverse array of production environments. The Z-HD5000 […]
Photographs pulled from Sandro Miller’s film are a central element of the exhibit RED opens this March, whose proceeds will go to the David Lynch Foundation, a non-profit organization. The exhibit at RED’s Miami location opens on March 11 and will remain open to the public into May 2017. The opening session will be held […]
Introduced in 2006 to solve a problem DSLRs had at the time, the Single-Lens Translucent family of cameras, from Sony, may have had its last moment with the Alpha 99 II. If it is so, the system dies in a blaze of glory! The recently launched Sony Alpha 99 II, which represents the top of […]
Red, Blue, or Green. Sometimes just monitoring in a primary color helps a cameraperson nail the shot. In the past year, Blackmagic has pushed consistently to developing their products for a live broadcast consumer. They updated their ATEM Switcher, Teranex converters and even released a Web Presenter. The URSA Studio Viewfinder is a relatively recent […]
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Put aside Monday evening, April 24th 2017 from 5:30pm for what will be another fantastic MediaMotion Ball! This is the 20th anniversary of this great user event. The MediaMotion Ball will be held at the Monte Carlo Resort and Casino on the Las Vegas strip. The MediaMotion Ball is hosted by the International Media Users […]
Read More… from The 20th Anniversary MediaMotion Ball is a go for March 6, 2017
Irix introduced in 2016 its 15mm f/2.4. Now a new wide-angle with the same characteristics and design expands the Irix lines of lenses, Blackstone and Firefly. One year ago, March 2016, I published here at ProVideo Coalition a note about Irix, under the title “Irix: one lens, two flavours”. The subject of the note was […]
Ridiculous question, right? We all know the After Effects basics. I mean, depending on your point of view, of course. It’s a motion graphics app that can be used to create Hollywood-caliber visual effects, when you’re not using it to animate. It’s all about type choreography. Wait, no, really it’s about plug-ins so sophisticated they might […]
