Red

Wildlife and nature as seen through a RED

Wildlife and nature as seen through a RED

Shannon Wild and Russell MacLaughlin, Paul Nicklen, Andy Casagrande and Asgeir Helgestad all have a passion for nature and wildlife. They also have another thing in common: all use RED…

Everything you need to know about REDCODE RAW

Everything you need to know about REDCODE RAW

RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the codec becomes more efficient as the resolution increases. The technology REDCODE…

Teradek RT: wireless lens control for filmmakers

Teradek RT: wireless lens control for filmmakers

Manufactured in the USA and sold by Teradek, the new product line, known as Teradek RT,  is compatible with any industry standard camera. RT Motion was founded in the UK…

Panavision’s new DXL2: Monstro dialed up to “11”

Panavision’s new DXL2: Monstro dialed up to “11”

Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When I started out in the film business—at a time…

RED takes MONSTRO 8K to BSC Expo

RED takes MONSTRO 8K to BSC Expo

RED cameras will be on show at BSC Expo, but visitors can also discover the secrets behind FX’s flagship show Trust, one of the biggest television shows to be…

Three shorts to show the potential of FCPX

Three shorts to show the potential of FCPX

RED cameras, iMacs and MacBook Pros for editing, three female filmmakers, industry pros as mentors, and Final Cut Pro (10.4) to “glue” the filmed  material into short films, served…

The “large format” look: Sigma primes on a RED Monstro, in 8K

The “large format” look: Sigma primes on a RED Monstro, in 8K

What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of my local rental houses, Videofax, recently took…

Mini V-Lok, a new flight-safe broadcast battery

Mini V-Lok, a new flight-safe broadcast battery

  Hawk-Woods developed a new flight-safe broadcast battery able to deliver up to 150wh and which fits in the palm of a hand. Meet the Mini V-Lok…

RED takes MONSTRO to 2017 Camerimage

RED takes MONSTRO to 2017 Camerimage

Attendees to the 25th Camerimage International Film Festival have an opportunity to handle RED’s latest DSMC2 cameras, and participate in two seminars about digital cinematography. An official sponsor of…

Art of the Shot: Mindhunter cinematographer Erik Messerschmidt

Art of the Shot: Mindhunter cinematographer Erik Messerschmidt

Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera for his latest, and possibly most ambitious project, the 10…