Nikon adds RED to its group of professional cinema companies
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This is kind of a strange move on Nikons part as I have received far less RED footage over the past several years as most of the DPs I know and work with have switched to the Arri Mini LF. But, as a huge Nikon fan, I look forward to seeing what they do with it


As a Nikon Z9 owner, using it with increasing confidence instead of my SonyFS7 (in certain situations) I wonder if Apple has made a LUT for Nikon RAW the way they have for [automatically] attaching Sony LUTs to S-Log footage inside FCPX. Is there any N-Log that works in FCPX? If you shoot N-Log where do you edit it?

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