Audio Finishing using Roles in Final Cut Pro
How do you work with audio in your NLE when it doesn’t have tracks or a mixer? This week...
Using Magic Mask & Qualifiers in Resolve 17
One of the marquee new features in Resolve 17’s Color Page update is the new Magic Mask palette. Available...
Working with ProRes RAW in Final Cut Pro
With more and more cameras supporting ProRes RAW recording to the Atomos Ninja V, this week I take a...
Creating Keyboard Shortcut Graphics in Final Cut Pro X
At Ripple Training, we create tutorials. A LOT of tutorials. And one of the time-consuming tasks (of which there...
Final Cut Pro and Motion on the new 13″ M1 MacBook Pro
This week on MacBreak Studio, I was able to “borrow” the new 13-inch MacBook Pro with the M1 Apple...
Editing iPhone 12 HDR Video in Final Cut Pro X
With Apple’s release of the new iPhone 12 and 12 Pro a few weeks ago, you can now shoot...
3D Tracking in Final Cut Pro X
This week on MacBreak Studio, I take a look at 3D tracking using a private beta version of mTracker...
Publishing Path Animations for Final Cut Pro X
This week on MacBreak Studio, I take you “under the hood” to peek at our development process for a...
Creating Freeze Frame Effects in Final Cut Pro X
This week on MacBreak Studio, I demonstrate a simple example of the “freeze frame” effect and how to accomplish...
Levitate an Object in Motion
This week on MacBreak Studio, I show you how you can use Motion to create a levitation effect. This...
