panasonic
Cine Gear: The Panasonic 6K Full-Frame Lumix S1H
This camera, according to Panasonic, is designed especially for film production. The LUMIX S1H is more than a mirrorless camera from Panasonic. Oh no, this camera, which was only teased…
Cine Gear: Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 MFT Lens
At Cine Gear 2019 we got to opportunity to check out the Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH Micro Four Thirds lens. With a f1…
Cine Gear: Lumix S1H Full-Frame DSLM
Panasonic rolled out the full-frame Lumix S1H at Cine Gear Expo with a presentation, a demo film, and a pre-production prototype under glass. Jose Antunes has already written…
Panasonic announces new 1.4x and 2x teleconverters for LUMIX S lenses
Transform the LUMIX S PRO 70-200mm F4 O.I.S. in a 400mm lens through the magic of the new DMW-STC14 and a 2x Teleconverter. The trick has…
LUMIX S1H: mirrorless mobility with professional cinema quality
Designed especially for film production, the LUMIX S1H shows that Panasonic is not afraid to create a camera that, to a certain extent, competes with its own dedicated video cameras…
The Filmtools Podcast Eps. 4 with Director Cole Walliser
Each week The Filmtools Podcast will talk with industry professionals in a candid conversation about their career, relevant news within the industry, and about the art and gear behind filmmaking…
Panasonic AK-UC4000 approved for Netflix content production
Panasonic’s AK-UC4000 4K/HD HDR received recently a new firmware update that includes V-Log output, making it fully compatible with the workflow of the VariCam LT and…
NAB 2019: Michael Bergeron on the Move to IP
At NAB I talked with Michael Bergeron, Product Manager of Studio Camera Systems at Panasonic, about the move to video over IP, including SMPTE ST 2110, Newtek’s NDI, and…
NAB 2019 – Panasonic EVA Live Takes a Cinema Style Camera and Adds Studio Camera Features
At NAB 2019, the PVC team stopped by the Panasonic booth to take a look at EVA Live from Panasonic and get a sense of how it fits into a…
Panasonic “Smart Studio”at NAB 2019 shows the future of live production
Visitors to Panasonic’s booth at NAB 2019 can see the AW-UE150, Panasonic’s new 4K/HD pan/tilt/zoom camera, in action. It’s a camera now being…
DxO PhotoLab 2.2: faster and with additional camera support
Support for the Nikon Z6 and the DJI Mavic 2 Zoom drone are some of the new features of DxO PhotoLab 2.2, DxO’s software, on the path to…
LUMIX FZ1000 II and LUMIX ZS80: long zooms, 4K PHOTO and video
Able to record high-resolution 4K video in 3840×2160 at 30p or 24p in MP4, the LUMIX FZ1000 II and LUMIX ZS80 are compact cameras to consider if…
Panasonic AG-CX350 4K Single-Lens Camera Review
I was sent a camera. It has a 5170 x 2908 sensor. Records internal 4K at 4:2:2 in 10-bit as well as being able to record 4K…
Panasonic: the promised Lumix Pro Services program is now open
The Olympic and Paralympic Games Tokyo 2020 will be the first time the Lumix Pro service and repair hub opens its doors for professionals covering an event, with support for…
New Olympus MFT costs $500 more than full frame Panasonic Lumix DC-S1
The final presentation of the Lumix S1 and S1R makes, no doubt, things difficult for Olympus, that is selling a 20MP MFT sensor camera for $2999, against the 24.2MP…
