netflix

NAB Show New York: the creative process behind Netflix’s Russian Doll

NAB Show New York: the creative process behind Netflix’s Russian Doll

Discover how 6K cameras, HDR imagery and other advanced tools have revolutionized post-production and how artists balance art and tech to prioritize creativity in storytelling in the Russian Doll…

Foundry’s Nuke is now a Netflix Post Technology Alliance product

Foundry’s Nuke is now a Netflix Post Technology Alliance product

Foundry  has joined the Netflix Post Technology Alliance (PTA) with Nuke, its award-winning node-based compositor, as part of the “VFX” technology category. The Netflix Post Technology Alliance (PTA…

After Effects selected as VFX category resource for Netflix Post Technology Program

After Effects selected as VFX category resource for Netflix Post Technology Program

Last October, the Netflix Post Technology Alliance was announced, bringing together some of the biggest technology names in film production and post production. This week Adobe announced that After Effects…

The Art of the Cut Podcast Eps. 5 (w/ I Am Mother Editor Sean Lahiff)

The Art of the Cut Podcast Eps. 5 (w/ I Am Mother Editor Sean Lahiff)

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your car, living room, editing suite and beyond. In each episode…

How to recreate Upside Down from the Stranger Things series using Hitfilm Pro

How to recreate Upside Down from the Stranger Things series using Hitfilm Pro

The alternate dimension “Upside Down” is coming to your TV screen, and in anticipation of the new season of Stranger Things, FXhome created a tutorial to recreate the “Upside Down…

Panasonic AK-UC4000 approved for Netflix content production

Panasonic AK-UC4000 approved for Netflix content production

Panasonic’s AK-UC4000 4K/HD HDR received recently a new firmware update that includes V-Log output, making it fully compatible with the workflow of the VariCam LT and…

Blackmagic Design Joined The New Netflix Post Technology Alliance

Blackmagic Design Joined The New Netflix Post Technology Alliance

Blackmagic Design has joined the new Netflix Post Technology Alliance and that DaVinci Resolve, its professional editing, visual effects, motion graphics, color correction and audio post production software, was chosen…

ART OF THE CUT with documentary editor Neil Meiklejohn

ART OF THE CUT with documentary editor Neil Meiklejohn

Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball. He also worked on an episode of The New Yorker…

ART OF THE CUT with the editors of Netflix’s “Ozark”

ART OF THE CUT with the editors of Netflix’s “Ozark”

I interviewed Cindy Mollo, ACE and Vikash Patel about their work on the stellar Netflix series, Ozark. Cindy’s TV credits include Homicide: Life on the Street, Oz, Mad Men…

ART OF THE CUT with “Black Mirror” editor Selina MacArthur

ART OF THE CUT with “Black Mirror” editor Selina MacArthur

Selina MacArthur has been cutting comedy, drama and action in the UK for the last decade, including episodes of the iconic TV series, Dr. Who; and Humans;  and the UK…

NAB 2018 – An Interview with the MINDHUNTER post-production team

NAB 2018 – An Interview with the MINDHUNTER post-production team

I don’t do a lot of interviews with editors, that’s the domain of Steve Hullfish and his legendary ART OF THE CUT series but when I saw that…

Razer Phone: your mobile theater experience

Razer Phone: your mobile theater experience

Available for $699.99, the Razer Phone offers an audiovisual experience like no other phone on the market.  RED’s Hydrogen will launch soon. Time to ask: is this the…

Getting Started with HDR in Final Cut Pro X

Getting Started with HDR in Final Cut Pro X

High Dynamic Range video is now all over Netflix, Amazon, YouTube and Vimeo. In December of 2017, Apple released Final Cut Pro X 10.4, which includes new color correction…

ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”

ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”

Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved into the editor’s chair in 1992 and has edited…

Meena Singh: how I shot The Confession Tapes

Meena Singh: how I shot The Confession Tapes

From the why of choosing a Canon EOS C300 Mark II for The Confession Tapes to the importance of keep filming when your heart tells you to put the camera…