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Meena Singh: how I shot The Confession Tapes

Meena Singh: how I shot The Confession Tapes

From the why of choosing a Canon EOS C300 Mark II for The Confession Tapes to the importance of keep filming when your heart tells you to put the camera…

Art of the Shot: Mindhunter cinematographer Erik Messerschmidt

Art of the Shot: Mindhunter cinematographer Erik Messerschmidt

Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera for his latest, and possibly most ambitious project, the 10…

ART OF THE CUT with the editors of “The Crown”

ART OF THE CUT with the editors of “The Crown”

I felt like I had this Art of the Cut conversation sitting down to tea with two brilliant colleagues. I have been watching The Crown on Netflix and the editing…

This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh

This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh

Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that he was nominated for the 1998 Eastman Excellence in…

ART OF THE CUT, editing “A Series of Unfortunate Events”

ART OF THE CUT, editing “A Series of Unfortunate Events”

Stuart Bass, ACE is a Primetime Emmy winning editor (for Pushing Daisies) and has been nominated for numerous Emmys for his editing on shows including The Wonder Years, Arrested Development…

Master of None and Love: shooting with the VariCam 35

Master of None and Love: shooting with the VariCam 35

Mark Schwartzbard is a fan of Panasonic cameras and for Master of None and Love the DP used Panasonic VariCam 35 cinema cameras, adapted for the different styles needed by…

RED cameras at Wildscreen 2016

RED cameras at Wildscreen 2016

Exclusive footage from Flight of the Swans, the European premiere of The Ivory Game and RED Cameras on display are some of the reasons to visit the Wildscreen Festival 2016…

NAB 2015: Rohde & Schwarz Clipster

NAB 2015: Rohde & Schwarz Clipster

In all my years of watching content on Netflix, it never occured to me that there might be specific requirements for delivery to different streaming services.  Luckily for content…