netflix

Panasonic AK-UC4000 approved for Netflix content production

Panasonic AK-UC4000 approved for Netflix content production

Panasonic’s AK-UC4000 4K/HD HDR received recently a new firmware update that includes V-Log output, making it fully compatible with the workflow of the VariCam LT and…

Blackmagic Design Joined The New Netflix Post Technology Alliance

Blackmagic Design Joined The New Netflix Post Technology Alliance

Blackmagic Design has joined the new Netflix Post Technology Alliance and that DaVinci Resolve, its professional editing, visual effects, motion graphics, color correction and audio post production software, was chosen…

ART OF THE CUT with documentary editor Neil Meiklejohn

ART OF THE CUT with documentary editor Neil Meiklejohn

Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball. He also worked on an episode of The New Yorker…

ART OF THE CUT with the editors of Netflix’s “Ozark”

ART OF THE CUT with the editors of Netflix’s “Ozark”

I interviewed Cindy Mollo, ACE and Vikash Patel about their work on the stellar Netflix series, Ozark. Cindy’s TV credits include Homicide: Life on the Street, Oz, Mad Men…

ART OF THE CUT with “Black Mirror” editor Selina MacArthur

ART OF THE CUT with “Black Mirror” editor Selina MacArthur

Selina MacArthur has been cutting comedy, drama and action in the UK for the last decade, including episodes of the iconic TV series, Dr. Who; and Humans;  and the UK…

NAB 2018 – An Interview with the MINDHUNTER post-production team

NAB 2018 – An Interview with the MINDHUNTER post-production team

I don’t do a lot of interviews with editors, that’s the domain of Steve Hullfish and his legendary ART OF THE CUT series but when I saw that…

Razer Phone: your mobile theater experience

Razer Phone: your mobile theater experience

Available for $699.99, the Razer Phone offers an audiovisual experience like no other phone on the market.  RED’s Hydrogen will launch soon. Time to ask: is this the…

Getting Started with HDR in Final Cut Pro X

Getting Started with HDR in Final Cut Pro X

High Dynamic Range video is now all over Netflix, Amazon, YouTube and Vimeo. In December of 2017, Apple released Final Cut Pro X 10.4, which includes new color correction…

ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”

ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”

Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved into the editor’s chair in 1992 and has edited…

Meena Singh: how I shot The Confession Tapes

Meena Singh: how I shot The Confession Tapes

From the why of choosing a Canon EOS C300 Mark II for The Confession Tapes to the importance of keep filming when your heart tells you to put the camera…

Art of the Shot: Mindhunter cinematographer Erik Messerschmidt

Art of the Shot: Mindhunter cinematographer Erik Messerschmidt

Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera for his latest, and possibly most ambitious project, the 10…

ART OF THE CUT with the editors of “The Crown”

ART OF THE CUT with the editors of “The Crown”

I felt like I had this Art of the Cut conversation sitting down to tea with two brilliant colleagues. I have been watching The Crown on Netflix and the editing…

This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh

This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh

Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that he was nominated for the 1998 Eastman Excellence in…

ART OF THE CUT, editing “A Series of Unfortunate Events”

ART OF THE CUT, editing “A Series of Unfortunate Events”

Stuart Bass, ACE is a Primetime Emmy winning editor (for Pushing Daisies) and has been nominated for numerous Emmys for his editing on shows including The Wonder Years, Arrested Development…

Master of None and Love: shooting with the VariCam 35

Master of None and Love: shooting with the VariCam 35

Mark Schwartzbard is a fan of Panasonic cameras and for Master of None and Love the DP used Panasonic VariCam 35 cinema cameras, adapted for the different styles needed by…