Panasonic AK-UC4000 approved for Netflix content production
Panasonic’s AK-UC4000 4K/HD HDR received recently a new firmware update that includes V-Log output, making it fully compatible with...
Blackmagic Design Joined The New Netflix Post Technology Alliance
Blackmagic Design has joined the new Netflix Post Technology Alliance and that DaVinci Resolve, its professional editing, visual effects, motion...
ART OF THE CUT with documentary editor Neil Meiklejohn
Neil Meiklejohn is a documentary film editor who edited the documentaries Long Live Benjamin,and The Battered Bastards of Baseball....
ART OF THE CUT with the editors of Netflix’s “Ozark”
I interviewed Cindy Mollo, ACE and Vikash Patel about their work on the stellar Netflix series, Ozark. Cindy’s TV...
ART OF THE CUT with “Black Mirror” editor Selina MacArthur
Selina MacArthur has been cutting comedy, drama and action in the UK for the last decade, including episodes of...
NAB 2018 – An Interview with the MINDHUNTER post-production team
I don’t do a lot of interviews with editors, that’s the domain of Steve Hullfish and his legendary ART...
Razer Phone: your mobile theater experience
Available for $699.99, the Razer Phone offers an audiovisual experience like no other phone on the market. RED’s Hydrogen...
ART OF THE CUT with Lisa Bromwell, ACE on “House of Cards”
Lisa Bromwell, ACE has been working in feature film and TV editorial for more than 30 years. She moved...
Meena Singh: how I shot The Confession Tapes
From the why of choosing a Canon EOS C300 Mark II for The Confession Tapes to the importance of...
Art of the Shot: Mindhunter cinematographer Erik Messerschmidt
Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera...
