Hullfish
ART OF THE CUT with Fred Raskin, ACE on editing “Once Upon a Time in…Hollywood”
As an assistant editor to the legendary Sally Menke, Fred Raskin, ACE, worked on both of Quentin Tarantino’s Kill Bill movies and created a working relationship with the director…
ART OF THE CUT with the editors of “Spider-Man: Far from Home”
Spider-Man: Far From Home was edited by veteran MCU (Marvel Comics Universe) editor, Dan Lebental, ACE, and another experienced big-budget editor, Leigh Folsom Boyd. Lebental’s credits…
ART OF THE CUT with Oscar-winning editor Mark Sanger, ACE
Mark Sanger, ACE was one of the very first guests on Art of the Cut when he won the Oscar for Best Editing for Gravity in 2013 – a film…
ART OF THE CUT with feature film editor, Roger Barton
Roger Barton has edited many of the biggest and most iconic films in Hollywood history. As an associate editor, he worked on Titanic and Armageddon. His films as editor include…
71st Emmy Awards – Art of the Cut nominated editors
Congratulations to all of the nominated picture editors for this year’s Emmy Awards. (71st Emmy Awards) If you’re interested in reading about the editors involved in…
ART OF THE CUT with documentary editor Paul Crowder, ACE
Paul Crowder, ACE is a London-born, L.A.-based editor. I last spoke with him when he edited Ron Howard’s fantastic tribute to the Fab Four: “The Beatles…
ART OF THE CUT with “Chernobyl” editor, Simon Smith
Editor Simon Smith has worked on a variety of TV series in the UK for the BBC, including National Treasure, Electric Dreams, Victoria and Endeavour, among others. His latest assignment…
ART OF THE CUT with doc director/editor Todd Miller on “Apollo 11”
I saw Apollo 11 in theatres several months ago, and recently the film has aired on CNN. It was gorgeous and fascinating and – in my eyes, at least –…
ART OF THE CUT with Tiffany Hillkurtz, editor of “The Secret Life of Pets 2”
Tiffany Hillkurtz started working in animation in 1997 as an assistant in the animation department. She continued through the ranks of editorial on films like Space Chimps, Astro Boy, Madagascar…
ART OF THE CUT with Oscar-winning editor, Lee Smith, ACE on “Dark Phoenix”
I last spoke to Lee Smith, ACE, when he edited Dunkirk, which won him an Oscar for Best Achievement in Film Editing and the ACE EDDIE for Best Edited Feature…
ART OF THE CUT with the editors of “Yellowstone”
The TV show Yellowstone, on the Paramount Network, is directed by Taylor Sheridan. Sheridan also wrote and directed the chilling crime drama, Wind River. His editor on that project was…
How to control Avid Media Composer’s Audio Mixer in real-time with an iPad
I saw a request on Facebook or Twitter for a tutorial about the Avid Mixer. What does LIVE MODE do? That got me thinking that I miss having a control…
ART OF THE CUT with Oscar-nominated editor Martin Pensa, ACE
In 2014, Martin Pensa, ACE was nominated for an Academy Award for Best Achievement in Editing for Dallas Buyers Club. His work since then has included. Togo (which is currently…
ART OF THE CUT with the editors of “The Marvelous Mrs. Maisel”
The Marvelous Mrs. Maisel is on Amazon Prime Video and is in its second season. Last season, editor Kate Sanford, ACE, won the ACE Eddie for Best Edited Comedy Series…
ART OF THE CUT with Evan Schiff, editor of “John Wick 3”
Evan Schiff started his film industry career at the Stan Winston animatronic studio in 1999 working on such films as Jurassic Park III and Terminator 3: Rise of the Machines…
