Hullfish
ART OF THE CUT with the editors of “Detroit”
Hopefully, for regular readers of Art of the Cut, there’s a lot to be learned from every interview. I feel this one is exceptionally valuable, mainly because, in addition…
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the City. His work also includes editing both Sex and the City…
ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK
Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which he was nominated for an ACE EDDIE), The Dark Knight (for…
ART OF THE CUT with Atomic Blonde editor Elisabet Ronaldsdottir
Elisabet Ronaldsdottir was born and raised in Reykjavik, Iceland and has been editing film at home and across Europe and America since the days of editing on celluloid. Her films…
ART OF THE CUT with Paul Machliss on Baby Driver
Paul Machliss is a UK-based editor who has been in TV and film post since the late 1990s. Machliss was an obvious choice to edit the musically driven Baby…
ART OF THE CUT with the editor of “War for the Planet of the Apes”
William Hoy, ACE got into the editor’s seat on feature films back in the mid-‘80s. One of his first major feature films was Dances With Wolves. Since then…
ART OF THE CUT with Despicable Me 3 editor, Claire Dodgson
Claire Dodgson has been working on animated films since starting as 2nd assistant editor on Corpse Bride (2005). She also assisted on Fantastic Mr. Fox (2009) as 1st assistant. She…
ART OF THE CUT with the editing team for Transformers: The Last Knight
Art of the Cut takes a step into the epic – not just with the film we’re discussing – but because to cover the editing of Michael Bay’…
ART OF THE CUT on Ridley Scott’s Alien: Covenant
Pietro Scalia has won two Best Editing Oscars, for his work on JFK and Black Hawk Down. He was also nominated for Gladiator and Good Will Hunting. Other films have…
ART OF THE CUT – Editing Wonder Woman
Martin Walsh won an Oscar and an Eddie for Best Editing for Chicago (2002). His editing credits go back to the mid-‘80s and include films like Bridget Jones’ Diary…
