NAB 2018: The Sony VENICE Full-Frame Camera

Written by Brian Hallett

April 15, 2018

At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...

NAB: Quick notes from Sony

Written by Adam Wilt

April 8, 2018

Sony’s Sunday press conference covered quite a few things. I’ll focus on just a few. New Cameras Sony’s Peter...

NAB panel: The Future of HDR in Cinema

Written by Adam Wilt

April 7, 2018

Saturday saw a panel session on “The Future in High Dynamic Range – Are You Ready?” as part of...

ProRes RAW, FCPX, and Atomos recorders

Written by Adam Wilt

April 5, 2018

As Scott Simmons mentions in Apple prepares a new Final Cut Pro X update for NAB 2018, Apple has developed...

Setting up your on-set monitor: what to look for, and what to avoid

Written by Art Adams

March 30, 2018

A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...

THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW

Written by Brian Hallett

March 25, 2018

My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...

McQuaidFrame: a crop guide for vertical video

Written by Jose Antunes

March 14, 2018

With vertical video continuing to be favored in social media, solutions like the McQuaidFrame aim to make life easier...

The film look: what is it, and why are there two of them?

Written by Art Adams

March 2, 2018

The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...

Pix: Venice in Portland

Written by Adam Wilt

February 28, 2018

Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...

Your camera does not have a color gamut

Written by Art Adams

February 21, 2018

Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...