Quick Look: Metabones CINE mount adapters
One of the pleasures of mirrorless, short-flange-depth cameras is the freedom to use a wide variety of lenses via...
ZEISS Loxia 2.4/25: one of 5 lenses for filmmakers
With the new ZEISS Loxia 2.4/25 now introduced, ZEISS announced filmmakers can look forward to a special offer on...
The Sony 6K VENICE Menu Simulator Online Now
Camera Assistants, Owner – Operators, and DPs the Sony VENICE Menu Simulator is online and waiting for you and...
Sony Adds Dual Base ISO To Their Soon To Ship VENICE
The new version 1.0 features added to the VENICE will include support for Full-Frame 24x36mm recording in time for...
Teradek RT: wireless lens control for filmmakers
Manufactured in the USA and sold by Teradek, the new product line, known as Teradek RT, is compatible with...
FieldMonitor 4.5: more Sonys, focus assist
I’ve been busy enhancing FieldMonitor, my iOS app for wireless camera monitoring and control, and I haven’t come up...
Sony RX0: multi-view shooting expanded
First announced at IFA 2017, the RX0 compact camera gets new wired and wireless multi-camera solutions, enabling more flexibility,...
Sony E 18-135 lens: a surprise before CES 2018
The new silver α6300 camera, while a surprise, is simply Sony extending its offer for this model, but the...
LG and the TV of tomorrow at CES 2018
LG lays groundwork for TV of tomorrow with ThinQ technology and a new (Alpha) processor, suggesting that the industry...
Some thoughts on color, brightness, and contrast
I’m not happy with just knowing that colors work together in artistic ways. I want to know why. Here...
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