Panasonic AU-EVA1: RAW output is coming
RAW output and All-Intra recording and 2K at 240fps RAW output and additional interlaced HD recording formats are some...
Panasonic AK-UC4000: raising the bar for 4K HDR
Available March 2018, the new AK-UC4000 joins the current AK-UC3000 4K HDR capable-camera and the AK-HC5000 1080p 4x high-speed...
Quick Look: Metabones CINE mount adapters
One of the pleasures of mirrorless, short-flange-depth cameras is the freedom to use a wide variety of lenses via...
FilmConvert announces camera profile for the Panasonic Lumix GH5s
FilmConvert starts 2018 with a new camera profile, and it’s for the Lumix GH5s, Panasonic’s camera for videographers. The...
Teradek RT: wireless lens control for filmmakers
Manufactured in the USA and sold by Teradek, the new product line, known as Teradek RT, is compatible with...
Core SWX introduces Nano-M battery for Panasonic, Sony and Canon
Weighing in at 0.9 pounds, with a capacity of 98wh and offering a 12v power tap, the Nano-VBR98 is...
FieldMonitor 4.5: more Sonys, focus assist
I’ve been busy enhancing FieldMonitor, my iOS app for wireless camera monitoring and control, and I haven’t come up...
VariCam LT 4K ‘Ready for Live’ assignments
Panasonic’s VariCam LT 4K camera has a new firmware update that sets the cinema camera up for live and...
Panasonic delivers full NDI line of PTZ cameras
The new Panasonic PTZ cameras AW-HN38, AW-HN40, AW-UN70 and AW-HN130 link directly to NDI-based video production workflows without the...
The 2018 guide to Google’s VR180 cameras
Two new – official – cameras for the consumer, and one professional cinematic VR180 model were on show at...
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