Core SWX introduces Nano-M battery for Panasonic, Sony and Canon
Weighing in at 0.9 pounds, with a capacity of 98wh and offering a 12v power tap, the Nano-VBR98 is...
FieldMonitor 4.5: more Sonys, focus assist
I’ve been busy enhancing FieldMonitor, my iOS app for wireless camera monitoring and control, and I haven’t come up...
VariCam LT 4K ‘Ready for Live’ assignments
Panasonic’s VariCam LT 4K camera has a new firmware update that sets the cinema camera up for live and...
Panasonic delivers full NDI line of PTZ cameras
The new Panasonic PTZ cameras AW-HN38, AW-HN40, AW-UN70 and AW-HN130 link directly to NDI-based video production workflows without the...
The 2018 guide to Google’s VR180 cameras
Two new – official – cameras for the consumer, and one professional cinematic VR180 model were on show at...
Panasonic LUMIX GH5S: one camera, a thousand opinions
Whichever way you look at it, the LUMIX GH5S is a miracle. While it may not be as good...
Panasonic GH5S and Atomos Ninja Inferno: a nice pair for low light shooting
The combination of the new LUMIX GH5S with the Atomos Ninja Inferno 4K monitor / recorder offers multiple shooting...
Panasonic HC-WXF1K: a 4K professional level camcorder
Three new camcorders, two 4K and one Full-HD, expand Panasonic’s portfolio of solutions and introduce new improvements for the...
Lumix GH5S: designed and developed for professional filmmakers
The LUMIX GH5S aims to be your video machine for 2018 and beyond. With a newly developed 10.2MP High...
Review: Panasonic AU-EVA1 4K Cine Camera, part 3
This is part 3 of a three-part review; there’s more in part 1 and part 2 [Updated 8 Jan 2018...
