Sony has a new trio of G Lenses to its full frame E-mount cameras, all designed with the same...

Today we’re talking with Kristan Sprague. Kristan edited Judas and the Black Messiah which was just nominated for an...

Every now and then something shows up in the world of postproduction that seems too good to be true...

I get a lot of e-mails from people asking me questions about Media Composer.  I thought that it would...

Let’s be honest: back in March 2020 very few of us thought we’d still be editing in our pajamas...

A week before the 2021 F1 season commences, Netflix releases the third season of its fly-on-the-pitwall F1 documentary series...

Most editors know that AVID Media Composer is important. It’s hard to look at a list of Academy Award...

The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into your...

Recently I was wrapping up an editing job and generating files for the client and it came time to...

South by Southwest Conference and Festivals started, online as so many other events, with live panels, Meet Ups, special...

The 60th E-mount lens is a first for Sony, as the FE 50mm is the company’s first F1.2 lens...

Signiant acquires Lesspain Software to enhance the company’s SDCX SaaS platform, adding powerful tools for interaction with media assets...

Sony Corporation recently announced the upcoming release of a large format 56.73mm diagonal CMOS image sensor, “IMX661” for industrial...

Four projects across documentary, experiential and narrative genres, all only available with a tethered VR headset, are now on...