Review: RØDE VXLR+ phantom power to plugin power converter
Since the dawn of microphones, there have been two greatly different types of signals: balanced and unbalanced. Since the...
An in-depth chat with editor Scott Hill about Lightworks
Lightworks is a powerful NLE that has been around for many years and has edited at lot of major...
Train your eyes to see color, the easy way
Color awareness is a learned skill. All you really need is a car. The human brain is a funny...
Build your dynamic microphone modularly: Pyle PDMIC78 with Shure accessories
Some people call the Pyle PDMIC78 a knockoff of the Shure SM57. That description is true regarding the physical...
Squash & Stretch: a Free and Pro keyframe assistant
Squash & Stretch is a smart keyframe assistant extension for Adobe After Effects from Mamoworld, and comes in a...
Review: Xume adapters, the magic of Manfrotto’s Lens Filter Suite
The concept is interesting: adapters that use magnetic strength to keep your filters in place. That’s what the Xume...
ART OF THE CUT on MURDER ON THE ORIENT EXPRESS
Mick Audsley is the BAFTA-winning editor of such films as Dangerous Liaisons, 12 Monkeys, Harry Potter and the Goblet...
Review + comparison: iRig Pre HD cross platform audio interface
In this article, I’ll review the new <US$100 iRig Pre HD cross platform audio interface, with preamp and A-to-D...
Opening titles: commercials that sell a series
The art of the opening title sequence is flourishing like never before. The best ones contain clues, “Easter eggs,”...
Hands on with the Sony RX0
Last month at Sony Pictures Studios on Stage 23, I was given a few hours to play around with...
